Matisse and the Subject of Modernism 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024


Matisse and the Subject of Modernism

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Wright, Alastair 作者
Princeton Univ Pr
譯者
2004-10 出版日期
288 頁數
$ 87.01 價格
HRD
叢書系列
9780691118307 圖書編碼

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Matisse and the Subject of Modernism 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Matisse and the Subject of Modernism 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Matisse and the Subject of Modernism 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024



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Matisse and the Subject of Modernism 在線電子書 著者簡介


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Matisse and the Subject of Modernism 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Matisse and the Subject of Modernism 在線電子書 圖書描述

Focusing on the period 1905-1913, this provocative and groundbreaking new book refutes the popular view of Matisse as the painter of relaxed pleasures, the master of decorative line and sensuous color. Alastair Wright discovers a darker, more complex side to Matisse: an artist whose work, caught in the uneasy space between modernism and tradition, was fundamentally engaged with the most pressing of modernity's artistic and ideological debates. Presenting a series of brilliant and highly original analyses of Matisse's most important early paintings, Wright locates the artist within a wider cultural field in which the identities of modernism - and of its viewers - were highly contested. Wright offers a penetrating examination of the public response to Matisse's work, arguing that his early-twentieth-century audience found in his painting a deeply disturbing challenge to contemporary concepts of the self, of the nation, and of the West. This sumptuously illustrated book positions the work of Matisse and a number of his contemporaries in relation to key aspects of modernity - the commodification of the individual, the dislocation of cultural identity, and the effacement of racial boundaries under the pressure of imperial expansion - and provides a compelling account of how these contradictory historical materials fused to give birth to Matisse's modernism. What emerges is a renewed sense of the rich complexity of an artistic practice suspended between the seductive potential of pure color and an always ambivalent engagement with tradition. Tracing the interplay between Matisse's painting and discourses of art and subjectivity, Wright offers a significant new reading of one of the central figures of early-twentieth-century modernism.

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