Illustrated with over fifty photos, Civilizing Rituals merges contemporary debates with lively discussion and explores central issues involved in the making and displaying of art as industry and how it is presented to the community. Carol Duncan looks at how nations, institutions and private individuals present art , and how art museums are shaped by cultural, social and political determinants. Civilizing Rituals is ideal reading for students of art history and museum studies, and professionals in the field will also find much of interest here.
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作为无时间性代表的艺术也是被政治力量、经济资本和男性凝视浸润的空间
评分作为无时间性代表的艺术也是被政治力量、经济资本和男性凝视浸润的空间
评分前两张的论证清晰明了，用不同案例解释公共艺术博物馆对专权的侵入，再到捐赠人主导形式下富权身份的延续，层层递进剖析了博物馆在历史政治语境中的仪式性。最终章现代博物馆可能是我囫囵吞枣，或者说现当代艺术本身就是跳出了其惯式难以定性，觉得作者的关注点从博物馆置换到了作品及流派中，用艺术作品中常现的“男性凝视”进行批判，相对前两张内容来说逻辑性跳脱了一些，更想看到作者对博物馆本身设置的理解。对自己比较有启发的可能是广告和艺术馆仪式的比对吧，觉得和ways of seeing里提到的异曲同工之妙。
评分大概现在只会因为好用而在豆瓣打分了……
评分art museums were designed as religious "architecture" --- ritual
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