上 編
Part One
理論視野：當代紀錄片創作的新趨嚮
Theoretical Perspectives: The New Trends of ContemporaryDocumentary Filmmaking
1．當代英語世界的紀錄片實踐 2
Documentary Now: Contemporary Anglophone Documentary Practice
2．論錶述行為型紀錄片 28
Performing Documentary
3．鏡中之像——反射與紀錄片 43
The Image Mirrored: Reflexivity and the Documentary Film
4．論第一人稱電影——對自我刻寫的若乾判斷 55
First-person Films: Some Theses on Self-inscription
5．論動畫紀錄片——曆史、美學與閤法性 67
Animated Documentary: History, Aesthetics and Validity
下 編
Part Two
個案研究: 埃羅爾?莫裏斯與《細藍綫》
Case Studies: Errol Morris and The Thin Blue Line
6．確實有真實這碼事兒 84
There Is Such a Thing as Truth
7．《細藍綫》與紀錄片的局限性 86
The Thin Blue Line and The Limits of Documentary
8．或許一切都是錯的——對莫裏斯未完成的采訪 94
It Could All Be Wrong: An Unfinished Interview with ErrolMorris
9．沒有記憶的鏡子——真實、曆史與《細藍綫》 122
Mirrors without Memories: Truth, History, and The Thin BlueLine
10．莫裏斯的哲學——十條訓誡 139
The Philosophy of Errol Morris: Ten Lessons
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