Foong Ping is Assistant Professor of Chinese Art at the University of Chicago.
Ink landscape painting is a distinctive feature of the Northern Song, and painters of this era produced some of the most celebrated artworks in Chinese history. The Efficacious Landscape addresses how landmark works of this pivotal period first came to be identified as potent symbols of imperial authority and later became objects through which exiled scholars expressed disaffection and dissent. In fulfilling these diverse roles, landscape demonstrated its efficacy in communicating through embodiment and in transcending the limitations of the concrete.
Building on decades of monographic writings on Song painting, this carefully researched study presents a syncretic vision of how ink landscape evolved within the eleventh-century court community of artists, scholars, and aristocrats. Detailed visual analyses of surviving works and new insight about key landscapes by the court painter Guo Xi support the perspective put forward here and introduce original methodologies for interpreting painting as an integral element of political and cultural history. By focusing on the efforts of emperors, empresses, and eunuchs to cultivate ink landscape and its iconography, this investigation also tackles the social and class dichotomies that have long defined and frustrated existing scholarship on this period’s paintings, highlighting instead the interconnectedness of painting practice’s elite modalities.
評分
評分
評分
評分
舊材料寫齣新東西,且論證充分、堅實,特彆棒的書
评分Landscape and power do not limit to the rivalry between the court and emerging class of the scholar-amateurs. The relation is also salient in how landscape became apt expressions for both imperial institutions and scholar-officials. The employment of landscape motifs are outcomes of selections and deliberation laden with political suggestion.
评分舊材料寫齣新東西,且論證充分、堅實,特彆棒的書
评分Landscape and power do not limit to the rivalry between the court and emerging class of the scholar-amateurs. The relation is also salient in how landscape became apt expressions for both imperial institutions and scholar-officials. The employment of landscape motifs are outcomes of selections and deliberation laden with political suggestion.
评分論北宋宮廷繪畫的權威
本站所有內容均為互聯網搜索引擎提供的公開搜索信息,本站不存儲任何數據與內容,任何內容與數據均與本站無關,如有需要請聯繫相關搜索引擎包括但不限於百度,google,bing,sogou 等
© 2025 qciss.net All Rights Reserved. 小哈圖書下載中心 版权所有