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About the Author

The son of a German mother and a Hungarian father who fled the country in 1956, Timur Vermes was born in Nuremberg in 1967. He studied history and politics and went on to become a journalist. He has written for the Abendzeitung and the Cologne Express and worked for various magazines. He has ghostwritten several books since 2007. This is his first novel.

ABOUT THE TRANSLATOR: Jamie Bulloch's translations include Ruth Maier's Diary, Portrait of a Mother as a Young Women by F. C. Delius, and novels by Paulus Hochgatterer and Daniel Glattauer.

出版者:MacLehose Press

作者:Timur Vermes

出品人:

頁數:352

译者:Jamie Bulloch

出版時間:2014-3-10

價格:GBP 12.99

裝幀:Paperback

isbn號碼:9780857052933

叢書系列:

圖書標籤:

德國
小說
穿越
希特勒
英譯
暢銷書
政治小說
政治

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Timur Vermes' record-breaking bestseller, Look Who's Back, is a satirical novel that imagines what would happen if Hilter reawakened in present-day Germany. The book was a massive success in Germany, selling more than 1.5 million copies. Janet Maslin of The New York Times called Look Who's Back"desperately funny . . . an ingenious comedy of errors."

In the novel, Adolf Hitler wakes up in 2011 from a 66-year sleep in his subterranean Berlin bunker to find the Germany he knew entirely changed: Internet-driven media spreads ideas in minutes and fumes celebrity obsession; immigration has produced multicultural neighborhoods bringing together people of varying race, ethnicity, and religion; and the most powerful person in government is a woman. Hitler is immediately recognized . . . as an impersonator of uncommon skill. The public assumes the fulminating leader of the Nazi party is a performer who is always in character, and soon his inevitable viral appeal begets YouTube stardom, begets television celebrity on a Turkish-born comedian's show. His bigoted rants are mistaken for a theatrical satire-exposing prejudice and misrepresentation-and his media success emboldens Hitler to start his own political party, and set the country he finds a shambles back to rights.

With daring and dark humor, Look Who's Back skewers the absurdity and depravity of the cult of personality in modern media culture.