Chromatic Algorithms: Synthetic Color, Computer Art, and Aesthetics after Code 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024


Chromatic Algorithms: Synthetic Color, Computer Art, and Aesthetics after Code

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Carolyn L. Kane 作者
University Of Chicago Press
譯者
2014-8 出版日期
328 頁數
USD 45.00 價格
Hardcover
叢書系列
9780226002736 圖書編碼

Chromatic Algorithms: Synthetic Color, Computer Art, and Aesthetics after Code 在線電子書 圖書標籤: 藝術  色彩  theory  filmstudies   


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Chromatic Algorithms: Synthetic Color, Computer Art, and Aesthetics after Code 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Chromatic Algorithms: Synthetic Color, Computer Art, and Aesthetics after Code 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Chromatic Algorithms: Synthetic Color, Computer Art, and Aesthetics after Code 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024



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Chromatic Algorithms: Synthetic Color, Computer Art, and Aesthetics after Code 在線電子書 著者簡介

Carolyn L. Kane is a postdoctoral fellow at Brown University and assistant professor of visual communications at Ryerson University in Toronto.


Chromatic Algorithms: Synthetic Color, Computer Art, and Aesthetics after Code 在線電子書 著者簡介


Chromatic Algorithms: Synthetic Color, Computer Art, and Aesthetics after Code 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Chromatic Algorithms: Synthetic Color, Computer Art, and Aesthetics after Code 在線電子書 圖書描述

These days, we take for granted that our computer screens—and even our phones—will show us images in vibrant full color. Digital color is a fundamental part of how we use our devices, but we never give a thought to how it is produced or how it came about.

Chromatic Algorithms reveals the fascinating history behind digital color, tracing it from the work of a few brilliant computer scientists and experimentally minded artists in the late 1960s and early ‘70s through to its appearance in commercial software in the early 1990s. Mixing philosophy of technology, aesthetics, and media analysis, Carolyn Kane shows how revolutionary the earliest computer-generated colors were—built with the massive postwar number-crunching machines, these first examples of “computer art” were so fantastic that artists and computer scientists regarded them as psychedelic, even revolutionary, harbingers of a better future for humans and machines. But, Kane shows, the explosive growth of personal computing and its accompanying need for off-the-shelf software led to standardization and the gradual closing of the experimental field in which computer artists had thrived.

Even so, the gap between the bright, bold presence of color onscreen and the increasing abstraction of its underlying code continues to lure artists and designers from a wide range of fields, and Kane draws on their work to pose fascinating questions about the relationships among art, code, science, and media in the twenty-first century.

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