From one of the great comic innovators, the long-awaited fulfillment of a pioneering comic vision. Richard McGuire’s Here is the story of a corner of a room and of the events that have occurred in that space over the course of hundreds of thousands of years.
(With full-color illustrations throughout.)
Richard McGuire is a regular contributor to The New Yorker. His work has appeared in The New York Times, McSweeney’s, Le Monde, and Libération. He has written and directed for two omnibus feature films: Loulou et Autre Loups (Loulou and Other Wolves, 2003) and Peur(s) du Noir (Fear[s] of the Dark, 2007). He has also designed and manufactured his own line of toys, and he is the founder and bass player of the band Liquid Liquid. The six-page comic Here, which appeared in 1989 in Raw magazine, volume 2, number 1, was immediately recognized as a transformative work that would expand the possibilities of the comic medium. Its influence continues to be felt twenty-five years after its publication.
故事从房间走入一个身穿粉色裙子的女人(作者的母亲)说了一句:“哦,我现在又到这来干嘛?”开始,一个固定的视角,一间固定的室内角落,不同的时间交错在同一张平面画上。 解读这部漫画的方式有很多,有人说是作者的一部家族史,也有人说这是部科幻穿梭的故事。 故事在三百...
评分 评分《这里》:一个房间里的沧海桑田 (原刊作者腾讯大家专栏) 廖伟棠 “为什么在者在,同时无也无处不在?”这是我对哲人海德格尔《形而上学导论》里那个大哉问“为什么在者在,而无不在?”的文学性发挥。 回答出这个问题,甚至只是提出这个问题,也许就能稍微缓解一下漫画《这...
评分在盯着书与时间对抗一个小时之后,随着思考这两个字的背后意义,我发现自己越来越滑向虚无的深渊。 “这里,这里”,我发现我就在这本书里面了,坐在电脑前,头顶正在下雨,左手边野花盛开,右边是一只饥饿咆哮的恐龙,我们没有交集,因为时间不允许。“这里”是时间降维后的现...
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