The rise of youth is among the most dramatic stories of modern China. Since the last years of the Qing dynasty, youth has been made a new agent of history in Chinese intellectuals’ visions of national rejuvenation through such tremendously popular notions as “young China” and “new youth.” The characterization of a young protagonist with a developmental story has also shaped the modern Chinese novel. Young China takes youth as a central literary motif that was profoundly related to the ideas of nationhood and modernity in twentieth-century China. A synthesis of narrative theory and cultural history, it combines historical investigations of the origin and development of the modern Chinese youth discourse with close analyses of the novelistic construction of the Chinese Bildungsroman, which depicts the psychological growth of youth with a symbolic allusion to national rejuvenation. Negotiating between self and society, ideal and action, and form and reality, such a narrative manifests as well as complicates the various political and cultural symbolisms invested in youth through different periods of modern Chinese history. In this story of young China, the restless, elusive, and protean image of youth both perpetuates and problematizes the ideals of national rejuvenation.
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Boring.
评分和自己所做题目多有交集,科幻小说的引入振奋人心,成长主题的梳理也挺有意思,突然觉得茅盾他们也挺有可读之处了
评分和自己想做的有重合之处,读过以后有些失望
评分和自己所做题目多有交集,科幻小说的引入振奋人心,成长主题的梳理也挺有意思,突然觉得茅盾他们也挺有可读之处了
评分以点带面把文学主体的小我和国家政治主体的大我(们)的重影从文本中拉出来,晚晴部分显得单薄了,有大量的时政报论没有引入,更多是为了“少年中国”的民族国家之路做铺垫。对巴金、茅盾的分析可圈可点。
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