DV-Made China 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024


DV-Made China

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Zhang Zhen 作者
University of Hawaii Press
譯者
2015-4-30 出版日期
400 頁數
USD 30.00 價格
Paperback
叢書系列
9780824846824 圖書編碼

DV-Made China 在線電子書 圖書標籤: VisualCulture  電影研究  中國  studies  cultural  Chinese_studies   


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發表於2024-12-25

DV-Made China 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

DV-Made China 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

DV-Made China 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024



DV-Made China 在線電子書 用戶評價

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讀過一篇 Toward a Digital Political Mimesis 應該也不會讀其他的瞭

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讀過一篇 Toward a Digital Political Mimesis 應該也不會讀其他的瞭

評分

讀過一篇 Toward a Digital Political Mimesis 應該也不會讀其他的瞭

評分

讀過一篇 Toward a Digital Political Mimesis 應該也不會讀其他的瞭

評分

讀過一篇 Toward a Digital Political Mimesis 應該也不會讀其他的瞭

DV-Made China 在線電子書 著者簡介

Zhang Zhen is associate professor of cinema studies and history at New York University.

Angela Zito is associate professor of anthropology and religious studies at New York University where she codirects the Center for Religion and Media.


DV-Made China 在線電子書 著者簡介


DV-Made China 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

DV-Made China 在線電子書 圖書描述

In 1990s post-Reform China, a growing number of people armed with video cameras poured out upon the Chinese landscape to both observe and contribute to the social changes then underway. Happening upon the crucial platform of an older independent film movement, this digital turn has given us a "DV China" that includes film and media communities across different social strata and disenfranchised groups, including ethnic and religious minorities and LGBTQ communities. DV-Made China takes stock of these phenomena by surveying the social and cultural landscape of grassroots and alternative cinema practices after the digital turn around the beginning of the new century.

The volume shows how Chinese independent, amateur, and activist filmmakers energize the tension between old and new media, performance and representation, fiction and non-fiction, art and politics, China and the world. Essays by scholars in cinema and media studies, anthropology, history, Asian and Tibetan studies bring innovative interdisciplinary methodologies to critically expand upon existing scholarship on contemporary Chinese independent documentary. Their inquiries then extend to narrative feature, activist video, animation, and other digital hybrids. At every turn, the book confronts digital ironies: On the one hand, its portability facilitates forms of radically private film production and audience habits of small-screen consumption. Yet it also simultaneously links up makers and consumers, curators and censors allowing for speedier circulation, more discussion, and quicker formations of public political and aesthetic discourses.

DV-Made China introduces new frameworks in a Chinese setting that range from aesthetics to ethical activism, from digital shooting and editing techniques to the politics of film circulation in festivals and online. Politics, the authors urge, travels along paths of aesthetic excitement, and aesthetic choices, conversely, always bear ethical consequences. The films, their makers, their audiences and their distributional pathways all harbor implications for social change that are closely intertwined with the fate of media culture in the new century of a world that both contains and is influenced by China.

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