The way some histories portray the advent of musicals, you'd think the genre emerged fully formed with "Show Boat." Yet in truth, it took root decades earlier. In "Strike Up the Band" Scott Miller tells the whole story of musicals, pulling back the curtain on the amazing innovation and adventurousness of the art form, revealing its political and social conscience, and chronicling its incredibly rapid evolution over the last century."Strike Up the Band" focuses not only on what happened on stage but also on how it happened and why it matters to us today. It's a different kind of history that explores the famous and, especially, the not-so famous productions to discover the lineage that paved the way to contemporary musicals. Digging into 150 shows, Miller offers a forward-looking perspective on treasures from each era - such as "Anything Goes," "West Side Story," "Hair," and "Rent" - while also looking at fascinating, genre-busting, and often short-lived productions, including "Bat Boy," "Rocky Horror Show," "Promenade," and "The Capeman," to see how even obscure or commercially unsuccessful musicals defined and advanced the form.Moving decade by decade, Miller offers insight and inside information about the artistic approaches various composers, lyricists, bookwriters, and directors have taken, how those approaches have changed over time, and what social and historical forces continue to shape musical theatre today. He provides a strong sense of what groups have historically controlled the industry and how other groups' hard work and vision continue to change the musical theatre landscape for the better. In fact, "Strike Up the Band" opens a new and vitally important discussionof the roles played in the musical's history by people of color, by gays and lesbians, by people with disabilities, and by women. It frames musical theatre as an important, irreplaceable piece of American history and demonstrates how it reflects the social and political conditions of its time - and how it changes them.On Broadway or off, "Strike Up the Band" is as adventuresome, detailed, and thoughtful in tracing the story behind the musical as it is in celebrating the form's diversity, vigor, innovation, and promise. Join Scott Miller not only in commemorating great moments on stage, but in gaining a powerful understanding of what the musical was, what it is today, and what it is becoming.
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这本书简直是一场听觉的盛宴,作者对于音乐的理解和描绘功力令人叹为观止。我完全沉浸在那些文字构建出的旋律之中,仿佛真的能听到小号嘹亮的高音,大提琴深沉的低语,以及整个乐队在指挥棒下爆发出的磅礴气势。情节的推进如同乐章的展开,时而轻快活泼,像早晨的露珠在阳光下闪烁;时而又转入深沉的慢板,充满了对人生抉择的思考与挣扎。作者对于角色内心世界的刻画极为细腻,每一个音符的选择、每一次排练的争执,都紧密地联系着人物的成长与蜕变。特别是对那种“追求完美和声”的执着,那种为了一个颤音反复打磨的工匠精神,让人深感震撼。这本书不仅仅是关于音乐,它更像是一部关于奉献、合作与梦想的史诗。读完之后,我的世界似乎都变得更有“节奏感”了,我开始留意日常生活中那些被忽略的细微声响,并试图从中找到属于自己的“主旋律”。对于任何热爱艺术,或者正在为某个目标努力奋斗的人来说,这本书都会带来一股强大的精神鼓舞。
评分这部作品的结构设计非常巧妙,它采用了多视角的叙事方法,让你得以窥见不同声部演奏者在同一首曲目面前的差异化视角。例如,描绘定音鼓手视角时,那种对节奏精准的近乎偏执的控制欲,与长笛手那种追求自由飘逸的浪漫情怀形成了鲜明的对比。这种多维度的呈现,让整个故事的层次感极强,绝不枯燥。书中对“舞台恐惧”的心理剖析尤其到位,那种在万众瞩目下,身体的每一个细胞都在抗拒,但灵魂却被音乐催促着向前走的矛盾状态,被描绘得入木三分。我尤其欣赏作者对时间流逝的处理——几分钟的独奏段落,在文字中被无限拉伸和细化,而跨越数年的友谊和矛盾冲突,却能被浓缩在一场紧张的幕间休息中。这种对时间感知的处理,充分体现了音乐艺术的非线性特质。它让我对那些在聚光灯下的人们,多了一份敬意。
评分这本书最让我感到惊喜的是它对“失败与重来”这一主题的处理。它并没有将乐队塑造成一个完美无瑕的胜利者形象,而是坦诚地展现了排练中的灾难性失误、关键比赛中的临场溃败,以及因此产生的团队分裂和自我怀疑。正是这些“不和谐音”,才使得最终的成功显得尤为珍贵和真实。作者极其擅长用环境描写来烘托情绪:比如一场关键演出前,后台空气中弥漫着的松香和汗水的混合气味,或者演出结束后,空荡荡的大厅里回荡的零星掌声,这些感官细节极大地增强了代入感。它成功地让我体会到,创造伟大的艺术品,往往需要经历比想象中更多的挫折与自我否定。这本书传递的核心信息是:真正的“合奏”,首先是你必须学会与自己内心的混乱达成和解。这是一部关于毅力和艺术纯粹性的赞歌,值得反复品读。
评分从文学性角度审视,这本书的文字功底极其扎实,句式变化丰富,节奏感强烈,仿佛作者在写下每一个词语时,都在默念着某种节拍。它避免了许多同类题材中常见的说教腔调,而是通过具体的、可感知的细节来推动情感的累积。比如,某位小提琴家指尖上常年留下的茧子,指挥家手臂上因长期挥舞指挥棒而留下的细小疤痕,这些微小的物证,比任何冗长的内心独白都更有说服力。故事中穿插的关于乐器维护、老旧乐谱修复的片段,构建了一个充满“历史厚重感”的氛围,让你感受到音乐的传承并非易事,它需要一代代人的细心呵护。读完后,我感觉自己不仅仅是了解了一个乐队的故事,更像是一次深入老乐器店和录音棚的非凡旅程。对于追求高质量叙事和深度人物刻画的读者来说,这本书无疑是一次宝贵的精神补给。
评分说实话,我一开始对这种聚焦于古典或某种特定音乐团体的题材感到有些犹豫,毕竟我对乐理知识并不精通。然而,作者的叙事技巧高超到令人称奇,他巧妙地将专业术语融入到生动的情景对话和内心独白中,使得即便是音乐门外汉也能毫不费力地理解其中的情绪张力和技术难度。这本书成功地描绘了一种集体创造的张力美学。想象一下,几十个性格迥异、抱持不同抱负的音乐家,在同一个空间里,必须在极短的时间内达成共识,将个体的情感融合成一个统一的声音——这种“人与人之间的共振”,才是这本书最动人心魄的地方。书中对排练室里那种紧张到令人窒息的氛围,以及最终在舞台上爆发出和谐瞬间的描写,简直是教科书级别的笔法。它让我意识到,真正的艺术合作,需要比个人独奏更高的情商和更深的理解力。这不仅仅是一本关于“如何演奏”的书,更是一部关于“如何共存”的哲学探讨。
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