Painting and Sculpture in France, 1700-1789 (The Yale University Press Pelican History of Art) 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024


Painting and Sculpture in France, 1700-1789 (The Yale University Press Pelican History of Art)

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Sir Michael Levey 作者
Yale University Press
譯者
1995-09-10 出版日期
326 頁數
USD 40.00 價格
Paperback
叢書系列
9780300064940 圖書編碼

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Painting and Sculpture in France, 1700-1789 (The Yale University Press Pelican History of Art) 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Painting and Sculpture in France, 1700-1789 (The Yale University Press Pelican History of Art) 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Painting and Sculpture in France, 1700-1789 (The Yale University Press Pelican History of Art) 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024



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Painting and Sculpture in France, 1700-1789 (The Yale University Press Pelican History of Art) 在線電子書 著者簡介


Painting and Sculpture in France, 1700-1789 (The Yale University Press Pelican History of Art) 在線電子書 著者簡介


Painting and Sculpture in France, 1700-1789 (The Yale University Press Pelican History of Art) 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Painting and Sculpture in France, 1700-1789 (The Yale University Press Pelican History of Art) 在線電子書 圖書描述

Genius and talent combine to render both brilliant and varied the image of painting and sculpture in France in the last years of the ancien regime. The outpouring of creative activity and of inspired patronage, both public and private was then unparalleled elsewhere. Gifted exponents of sculpture include the Coustou, Michel-Ange Slodtz, and Caffieri, besides the better-known Falconet, Pigalle, and Houdon: their often monumental work provides a salutary reminder of the seriousness of intention in an age often still stereotyped as frivolous and lightweight. In painting, Restout, Vernet, Oudry and others were appreciated at least as much as Boucher, and portraiture, genre, and still life were all well served. The era may have opened with Watteau and the fete galante, but it closed with a revival of history painting, and with an artistic revolutionary in the person of David. Bringing new insights and information to bear on the work of the great French artists and sculptors of the eighteenth century, Levey has created a book that is at once beautiful and instructive.

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