The Stolen Child

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凯斯·唐纳胡出生于一个爱尔兰裔的美国家庭,在七个孩子中排行第四,从小就觉得自己可能是个换生灵。他的第一个工作是美国艺术基金会担任讲稿撰写人,在长达八年的工作中,凯斯·唐纳胡利用课余时间获得文学博士学位。

1974年他立志以写作为业,并花七年时间写下了处女作《失窃的孩子》。

出版者:Center Point Pub
作者:Donohue, Keith
出品人:
页数:415
译者:
出版时间:
价格:$ 36.10
装帧:LIB
isbn号码:9781585478651
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Inspired by the W.B. Yeats poem that tempts a child from home to the waters and the wild, "The Stolen Child" is a modern fairy tale narrated by the child Henry Day and his double.""On a summer night, Henry Day runs away from home and hides in a hollow tree. There he is taken by the changelings--an unaging tribe of wild children who live in darkness and in secret. They spirit him away, name him Aniday, and make him one of their own. Stuck forever as a child, Aniday grows in spirit, struggling to remember the life and family he left behind. He also seeks to understand and fit in this shadow land, as modern life encroaches upon both myth and nature. In his place, the changelings leave a double, a boy who steals Henry's life in the world. This new Henry Day must adjust to a modern culture while hiding his true identity from the Day family. But he can't hide his extraordinary talent for the piano (a skill the true Henry never displayed), and his dazzling performances prompt his father to suspect that the son he has raised is an imposter. As he ages the new Henry Day becomes haunted by vague but persistent memories of life in another time and place, of a German piano teacher and his prodigy. Of a time when he, too, had been a stolen child. Both Henry and Aniday obsessively search for who they once were before they changed places in the world. "The Stolen Child" is a classic tale of leaving childhood and the search for identity. With just the right mix of fantasy and realism, Keith Donohue has created a bedtime story for adults and a literary fable of remarkable depth and strange delights.

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小说与Yeats的诗作《The Stolen Child》同名,写的同样是人间的孩子和精灵的互动,不过此仙岛非彼仙岛,既没有藏满浆果和樱桃的魔桶,也没有波浪般跳动的月光;既没有迷人的玫瑰园,也没有砂砾上古老的舞步;岁月并不迷人无忧,相反,充满了漫长而不堪忍受的等待。孩子也并非是...  

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今天终于把这本《失窃的孩子》看完了,本来是想从里面读出一些好玩的东西的,但是合上书本的时候却只剩下感叹和哀伤。 没有什么时空转换和起死回生的魔法,不管是亨利戴还是安尼戴,或者是古斯塔夫,名字不过是一个符号罢了,而他们作为孩子的那一段时光都已经被偷走了,不再...  

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走吧,人间的孩子 / 与一个精灵手拉手 / 走向荒野和河流 / 这个世界哭声太多了,你不懂。” 一百多年前,诗人叶芝,写过一首小诗《失窃的孩子》。诗中,仙灵将孩子从温暖的壁炉边诱走,带到史留斯森林高地,那里有花有水,远离尘嚣,孩子和仙灵们吃着浆果和樱桃,寻找熟...  

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走吧,人间的孩子 / 与一个精灵手拉手 / 走向荒野和河流 / 这个世界哭声太多了,你不懂。” 一百多年前,诗人叶芝,写过一首小诗《失窃的孩子》。诗中,仙灵将孩子从温暖的壁炉边诱走,带到史留斯森林高地,那里有花有水,远离尘嚣,孩子和仙灵们吃着浆果和樱桃,寻找熟...  

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在这本书里,换生灵仿佛比喻着一个人的童年与成长,亨利·戴和安尼戴仿佛是每个人内心曾经面对、曾经忘怀的双重身份。以成熟换取童稚,幼年记忆埋藏心底,但我们总是记得美丽时光的片段,仿佛能碰触那温暖与凋零。作者凯斯·唐纳胡笔触简单生动,故事表面下,埋藏着追寻蜕变...  

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