Gardens, Landscape and Vision in the Palaces of Islamic Spain 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024


Gardens, Landscape and Vision in the Palaces of Islamic Spain

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Ruggles, D. Fairchild 作者
Pennsylvania State Univ Pr
译者
2003-1 出版日期
264 页数
$ 49.66 价格
Pap
丛书系列
9780271022475 图书编码

Gardens, Landscape and Vision in the Palaces of Islamic Spain 在线电子书 图书标签: 西班牙  英文版  艺术史  建筑·城市  建筑  Испания  Islam   


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发表于2024-12-28


Gardens, Landscape and Vision in the Palaces of Islamic Spain 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Gardens, Landscape and Vision in the Palaces of Islamic Spain 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Gardens, Landscape and Vision in the Palaces of Islamic Spain 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024



Gardens, Landscape and Vision in the Palaces of Islamic Spain 在线电子书 用户评价

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Medieval Islamic gardens as places to express political authority rather than paradisic meanings. Madinat al-Zahra and Alhambra.

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Medieval Islamic gardens as places to express political authority rather than paradisic meanings. Madinat al-Zahra and Alhambra.

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Medieval Islamic gardens as places to express political authority rather than paradisic meanings. Madinat al-Zahra and Alhambra.

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Medieval Islamic gardens as places to express political authority rather than paradisic meanings. Madinat al-Zahra and Alhambra.

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Medieval Islamic gardens as places to express political authority rather than paradisic meanings. Madinat al-Zahra and Alhambra.

Gardens, Landscape and Vision in the Palaces of Islamic Spain 在线电子书 著者简介


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Gardens, Landscape and Vision in the Palaces of Islamic Spain 在线电子书 图书描述

Islamic gardens, with their waterways and beds of plants and trees, are generally regarded as an earthly reflection of paradise. D. Fairchild Ruggles offers a different interpretation, contending that the palace garden was primarily an environmental, economic and political construct. She discusses three aspects of medieval Islamic Spain: the landscape and agricultural transformation documented in Arabic scientific literature, the formation of the garden and its symbolism from the eighth through to the 15th centuries, and the role of the gaze and the frame in the spatial structures through with sovereignty was constituted. Although the repertory of architectural and garden forms was largely unchanged from the 10th to the 15th centuries, Ruggles explains that their meaning changed dramatically. The royal palace gardens of Cordoba expressed a political ideology that placed the king above and at the centre of the garden, and metaphorically, of his kingdom. This conception of the world began to falter in later centuries, but patrons clung to the forms and motifs of the golden age. Instead of creating new forms, artists at the Alhambra in Granada reworked and refined familiar vocabulary and materials. The vistas fixed by windows and pavilions referred not to the actual relationship of the king to his domain, but rather to the memory of a once-expanding territory.

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