The Building of Renaissance Venice

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出版者:Yale University Press
作者:Richard J Goy
出品人:
页数:256
译者:
出版时间:2006-6-16
价格:GBP 35.00
装帧:Hardcover
isbn号码:9780300112924
丛书系列:
图书标签:
  • 艺术史
  • 建筑历史
  • Art
  • 文艺复兴
  • A山外山
  • Renaissance
  • Venice
  • History
  • Architecture
  • Urbanism
  • Italy
  • 15th Century
  • 16th Century
  • Art History
  • Social History
  • Maritime History
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具体描述

This book brings to life the story of the construction of some of the most outstanding early Renaissance buildings in Venice. Through a series of individual case studies, Richard J. Goy explores how and why great buildings came to be built during the years from 1430 to 1500. He addresses the practical issues of constructing such buildings as the Torre dell'Orologio in Piazza San Marco, the Porta della Carta at the Palazzo Ducale, the Arsenale Gate, and the churches of Santa Maria della Carita and San Zaccaria, focusing particular attention on the process of patronage. The book is the first to trace the complete process of creating important buildings, from the earliest conception in the minds of the patrons - the Venetian state or other institutional patrons - through the choice of architect, the employment of craftsmen, the selection of materials, and the working conditions on the site. In an interesting analysis of the participants' roles, Goy highlights the emerging importance of the superintending master, the protomaestro.

《城市织锦:中世纪佛罗伦萨的商业、艺术与权力交织》 作者: 艾莉莎·瓦伦蒂尼 (Elisa Valentini) 出版社: 晨光文史出版社 页码: 680页(含插图与附录) 定价: 128.00 元人民币 --- 内容简介 《城市织锦:中世纪佛罗伦萨的商业、艺术与权力交织》深入剖析了13世纪至15世纪佛罗伦萨共和国从一个区域性的商业中心蜕变为文艺复兴时期欧洲文化与金融心脏的复杂历程。本书并非简单的时间线性叙事,而是通过聚焦于支撑这座“新城”运转的几大核心支柱——羊毛与纺织业、银行业与金融创新、美第奇家族的崛起与文化赞助,以及城邦政治结构的微妙平衡——来重构一幅立体而生动的历史图景。 本书的基石在于对档案材料的细致梳理,尤其是城市行会(Arti)的记录、私人信件往来以及早期市政法案。作者瓦伦蒂尼摒弃了将文艺复兴简单浪漫化的倾向,转而揭示了这场文化与经济飞跃背后所蕴含的紧张、竞争与残酷的现实政治。 第一部分:商业的基石与行会的统治(1250-1348) 本书的第一部分着眼于佛罗伦萨经济的驱动力:羊毛和丝绸产业。不同于威尼斯对海运贸易的依赖,佛罗伦萨的财富源于其内陆的工业生产能力。 1. 纺织业的“工业化”雏形: 瓦伦蒂尼详细描绘了“大行会”(Arti Maggiori)——尤其是羊毛行会(Arte della Lana)——如何通过严格的质量控制、技术垄断和对原材料(如来自英格兰的羊毛)的采购网络,建立起事实上的生产规范。书中对“织造车间”的社会结构进行了细致考察,揭示了从原料采购、染色(探讨了早期化学工艺的秘密传承)到成品分销的每一个环节所涉及的资本流动与劳工关系。这种对生产过程的深入挖掘,显示出中世纪晚期佛罗伦萨已具备了早期资本主义的某些特征。 2. 金融的血液循环: 随着商业的扩张,对信贷和汇兑的需求激增。第二章专门探讨了佛罗伦萨银行家如何超越简单的放贷,发展出复杂的多边汇兑系统,使其货币成为欧洲的通用支付工具。书中对比了帕齐家族和巴尔迪家族等早期金融巨头的兴衰,阐明了他们如何将商业利润转化为政治影响力,尤其是通过为教廷提供融资服务,从而在全球范围内布下了金融的触角。 3. 城市空间的重塑: 商业的繁荣直接影响了城市规划。本书通过分析税收记录和土地契约,重构了老城区内商铺、作坊与贵族宅邸(Palazzi)的物理布局,展示了财富如何在垂直和水平方向上重塑佛罗伦萨的物理景观。 第二部分:瘟疫、社会动荡与政治结构的演变(1348-1400) 黑死病是中世纪历史的断裂点。本书的第二部分着重分析了1348年大瘟疫对佛罗伦萨社会结构造成的持久性冲击,以及随后的社会阶层冲突。 1. 劳动力的重估与“少爷党”的兴起: 瘟疫导致劳动力短缺,这极大地提高了剩余工匠和工人的议价能力。作者详细记录了1378年的“齐亚米之乱”(Tumult of the Ciompi),这是一场由未被接纳入正式行会的“小行会”和无业工人发动的政治运动。通过对起义文献的解读,本书展现了底层民众对政治代表权和经济平等的首次系统性诉求,以及精英阶层如何迅速而有效地镇压了这场运动,从而巩固了寡头统治的基础。 2. 法律与秩序的重构: 在社会动荡后,佛罗伦萨的法律体系如何适应新的经济现实?瓦伦蒂尼考察了“公道官”(Podestà)的权力边界变化,以及针对欺诈和合同违约的新型民事诉讼程序的建立,这些都是服务于维护日益复杂的商业环境所必需的。 第三部分:美第奇时代的序幕与文化的资本化(1400-1450) 本书的最后部分将目光投向了文艺复兴的成熟阶段,重点分析了科西莫·德·美第奇(Cosimo de' Medici)如何巧妙地将金融实力转化为无可匹敌的文化领导地位。 1. 赞助的政治学: 瓦伦蒂尼认为,美第奇家族的文化赞助并非单纯的艺术爱好,而是一种精密的政治工具。本书对圣马可修道院的重建、布鲁内莱斯基穹顶的资助,以及对人文主义学者(如马尔西利奥·菲奇诺)的支持进行了细致的经济学分析。她论证了,通过资助公共建筑和艺术品,美第奇家族成功地将自身形象与“佛罗伦萨的荣耀”紧密绑定,从而在没有公开国王头衔的情况下,实现了绝对的政治控制。 2. 人文主义的商界根源: 与传统的历史叙述不同,本书探索了人文主义思想如何被商业精英所吸收和利用。对古典拉丁文和修辞学的学习,被视为提升合同起草能力和外交手腕的实用技能。书中收录了早期商人对西塞罗著作的注释,揭示了知识与财富之间相互转化的过程。 3. 共和国的内在矛盾: 最终,本书总结了佛罗伦萨城邦在经济上取得巨大成功的同时,在政治上日益僵化的内在矛盾。在美第奇家族的隐形统治下,共和机构(如“百人议事会”)逐渐沦为橡皮图章,为后来的权力集中埋下了伏笔。 总结与特色 《城市织锦》的独特之处在于其跨学科的研究方法,它融合了经济史学、社会史和艺术史的视角。作者通过对大量一手资料的系统性整合,成功地描绘了佛罗伦萨如何在一个世纪之内,将其商业创新转化为一场深刻的文化革命。本书不仅是研究佛罗伦萨的必备之作,更是理解中世纪向近代过渡时期欧洲城市国家运作模式的典范分析。其详尽的图表、地图和专业术语注释,使其成为专业学者和资深历史爱好者的理想读物。

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这本书的标题,The Building of Renaissance Venice,本身就充满了诱惑力,让我对书中将要揭示的辉煌画面充满了期待。作为一名对历史建筑和城市发展史情有独钟的读者,我一直对那些能够将宏伟的建筑结构与时代精神完美结合的著作情有独钟。威尼斯,这座漂浮在水面上的传奇城市,其在文艺复兴时期的崛起与繁荣,无疑是人类文明史上一段令人惊叹的篇章。我设想,作者必定会深入探讨这座城市的独特地理环境如何塑造了其建筑风格,从早期湿地上的木桩基础,到后来逐渐发展出的砖石结构,再到那些令人屏息的宫殿和教堂。我好奇作者会如何描绘那些伟大的建筑师、艺术家和工匠们,是如何凭借着他们的智慧与技艺,将威尼斯的城市景观推向新的高峰。那些精美的雕塑、恢弘的穹顶、以及那些装饰着华丽壁画和马赛克的内饰,无不诉说着那个时代的辉煌与创造力。更重要的是,我期待书中能展现出建筑本身不仅仅是物质的存在,更是那个时代社会、经济、政治和宗教观念的载体。威尼斯共和国的贸易帝国如何支撑起了如此大规模的建筑工程?它的政治体制又如何影响了城市的规划与建筑的风格?这些问题都让我迫不及待地想要在书中找到答案。我相信,这本书将不仅仅是一本关于建筑的书,更是一部关于一座城市灵魂的深度探索,一次穿越时空的文化之旅。

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My first impression of *The Building of Renaissance Venice* is one of anticipation for a deep dive into the very essence of urban creation. I’m drawn to how a city, born from necessity on challenging terrain, transformed itself into a beacon of art and commerce during the Renaissance. I expect the book to meticulously dissect the physical manifestation of this transformation. This would likely entail a thorough examination of the engineering feats required to establish and maintain Venice’s infrastructure – the foundations laid on countless wooden piles, the intricate network of canals and bridges that facilitated movement and trade, and the sophisticated systems for water management. I’m particularly interested in how the architectural styles evolved and adapted during the Renaissance, reflecting the prevailing artistic and intellectual currents. This could involve analyzing the influences of classical antiquity, the development of Gothic and Renaissance architectural features, and the unique adaptations made to suit the Venetian context. I imagine the book will highlight the key players in this grand endeavor – the architects who conceived the designs, the skilled artisans who executed them, and the patrons who funded these ambitious projects. Understanding the economic engines that powered such extensive construction is also a key area of my interest. How did Venice’s maritime trade translate into the resources and ambition for such monumental building projects? Ultimately, I believe this book will offer a comprehensive account of how Venice was not just built, but how its very form and substance were shaped by the unique confluence of its environment, its people, and the spirit of the Renaissance.

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《The Building of Renaissance Venice》这个书名, immediately evokes an image of splendor and intricate detail, a city constructed on water and ambition. My anticipation leans towards understanding the sheer ingenuity and logistical mastery involved in transforming a collection of marshy islands into one of the most powerful and aesthetically significant cities in Europe. I envision the book delving into the foundational elements of Venetian construction, detailing how they overcame the challenges of their unique environment. This would undoubtedly involve discussions on the early methods of driving wooden piles into the seabed, creating a stable base for the magnificent structures that followed. I’m particularly keen to learn about the evolution of building materials and techniques – from the initial use of timber to the sophisticated brickwork and stonework that characterize Renaissance Venetian architecture. It’s not just about the grand facades of palaces like the Doge’s Palace or churches like St. Mark’s Basilica, but also about the often-unseen engineering that supported them. How were the intricate canal systems managed? What were the innovations in bridge construction that facilitated intra-city movement? I also hope the book explores the socio-economic factors that fueled this massive building program. The wealth generated from Venice’s extensive trade network must have been directly channeled into its architectural development. Understanding the patronage system, the guilds of craftsmen, and the political will behind these monumental projects is crucial. This book, I believe, promises to be a rich tapestry, weaving together engineering prowess, artistic vision, and the very fabric of Venetian society during a pivotal era.

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标题《The Building of Renaissance Venice》本身就勾勒出一幅充满历史厚重感和艺术气息的画面。我一直对那些能够将复杂的历史进程与具体的物质载体联系起来的著作深感着迷,而威尼斯恰恰是这样一个绝佳的案例。我设想,作者定然会从威尼斯独特的地理位置出发,探讨这片特殊水域如何从最初的简陋聚落,一步步发展成为拥有强大海上贸易网络的艺术与文化中心。书中肯定会详细描绘那些奠定威尼斯城市基础的工程壮举,比如如何克服沼泽地的限制,如何建造坚固的木桩地基,以及如何在水面上建造如此宏伟的建筑群。我特别好奇书中会对哪些标志性建筑进行深入剖析,例如总督宫、圣马可教堂、里亚托桥等等。不仅仅是它们的宏伟外观,更重要的是它们在建造过程中所体现的创新技术、材料运用以及当时工匠们的精湛技艺。我想象作者会穿梭于那些历史文献和建筑遗迹之间,挖掘出那些不为人知的建造细节和背后的故事。同时,我期待这本书能够展现出,这些建筑不仅仅是孤立的艺术品,更是威尼斯共和国政治、经济、宗教和社会生活的集中体现。从这些宏伟的建筑中,我们是否能窥见那个时代威尼斯人的财富、权力、信仰以及他们对于美的极致追求?这本书在我看来,更像是一次对威尼斯城市灵魂的深度挖掘,一次与文艺复兴时期伟大文明的对话。

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当我的目光落在“文艺复兴时期的威尼斯”这个书名上时,一种强烈的探知欲油然而生。这座水上之城,在那个辉煌的时代,是如何从一片沼泽地蜕变为欧洲的商业和文化中心,其城市建设的过程无疑是一个充满挑战与创新的传奇。我期待本书能够深入细致地描绘出威尼斯在建筑领域所取得的辉煌成就,不仅仅是那些我们熟悉的宏伟宫殿和教堂,更包括那些支撑起这座城市运转的无数基础设施,例如港口、运河、桥梁以及用于防御的城墙等等。我想象作者会是如何解析那些古代的建筑技术和设计理念,比如如何在高盐度、易坍塌的水域环境中建造出如此稳固的建筑?是如何利用当时有限的材料和工具,创造出如此精美绝伦的建筑细节?我非常渴望了解那些在建造过程中扮演了重要角色的建筑师、工程师、工匠以及艺术家的故事,他们的名字可能不被所有人熟知,但他们的心血和智慧却化为永恒的雕塑和建筑,流传至今。我设想,本书或许还会触及到威尼斯在城市规划方面的独到之处,如何在保障贸易流通的同时,也营造出一种独特的城市美学?那些蜿蜒曲折的运河,密布的桥梁,以及鳞次栉比的建筑,无不构成了一幅生动的城市画卷。我相信,这本书将不仅仅是一部关于建筑的书籍,更是一次对威尼斯这座伟大城市发展历程的全面梳理,一次对人类智慧与创造力的深刻赞颂。

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The title, *The Building of Renaissance Venice*, immediately sparks my curiosity about the meticulous processes and visionary thinking that went into shaping this remarkable city. I anticipate a narrative that goes beyond mere descriptions of grand buildings, delving into the very foundations of their existence and the context of their creation. My expectation is for the author to illuminate the intricate engineering challenges that Venice, as a city built on water, had to overcome. This likely includes detailed explanations of the pile-driving techniques, the construction of robust foundations, and the ongoing efforts to manage its relationship with the lagoon. I’m particularly eager to understand how the architectural landscape of Venice evolved during the Renaissance, reflecting the period’s artistic and intellectual flourishing. This could involve exploring the adoption of classical motifs, the development of specific Venetian architectural styles, and the innovative ways in which architects and builders adapted designs to the unique urban fabric. I also foresee the book exploring the human element behind these monumental achievements – the architects, sculptors, painters, and skilled laborers who brought these visions to life. Understanding their roles, their training, and their contributions to the city’s aesthetic identity would be invaluable. Furthermore, I’m interested in the economic and political forces that drove this extensive building program. How did Venice’s position as a major trading power influence its urban development and architectural patronage? This book, I believe, promises to provide a rich and multifaceted perspective on the creation of one of history’s most iconic cities.

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读到“文艺复兴时期的威尼斯”这个主题,我的脑海中立刻浮现出那些流传至今的经典画面——圣马可广场上庄严的巴西利卡,宏伟的总督宫,以及那些依水而建、倒影在碧波中的华丽府邸。我相信,这本书定会带领我们近距离地审视这些伟大的建筑杰作,不仅仅是它们的外观,更重要的是它们背后所蕴含的建造智慧和工艺。我想象作者会如何详细地描述那些古代的建造技术,比如如何处理运河边的不稳定地基,如何运用当时最先进的材料和技术来构建坚固而又美观的建筑。也许会涉及拱券、穹顶的设计原理,以及那些精巧的石雕和木雕工艺是如何被赋予生命力的。我特别期待能够了解那些在建造过程中起关键作用的工匠和设计师,他们的名字或许不为大众所熟知,但他们的汗水和智慧却铸就了这座城市的永恒之美。这本书会不会也探讨一下当时威尼斯独特的城市规划理念?是如何在有限的空间内,既满足了商业贸易的需求,又营造出了一种独具韵味的城市氛围?那些狭窄的巷道,密布的桥梁,以及错落有致的建筑群,无疑都充满了故事。我坚信,通过这本书,我将能更深刻地理解文艺复兴时期威尼斯人的生活方式、审美情趣以及他们对于艺术和建筑的极致追求。这不仅仅是对历史的回顾,更是一种对人类创造力与工程技艺的致敬。

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Upon encountering the title *The Building of Renaissance Venice*, my mind immediately conjures visions of architectural grandeur and the intricate tapestry of urban development. I anticipate a comprehensive exploration of how this unique city came to embody the spirit of the Renaissance through its physical structures. My interest lies deeply in understanding the practicalities and innovations of Venetian construction during this period. I expect the book to detail the engineering solutions employed to build on the unstable foundations of the lagoon, from the driving of wooden piles to the methods of land reclamation and the construction of canals and bridges. Beyond the structural aspects, I am keen to learn how Renaissance artistic and intellectual ideals were translated into the very fabric of the city. This likely includes an analysis of how architects and artists collaborated to create the magnificent palaces, churches, and public buildings that define Venice. I’m particularly eager to discover the stories of the individuals – architects, engineers, artists, and even the ordinary laborers – whose skills and dedication shaped the city. Understanding their contributions, their training, and the guilds that governed their trades would be fascinating. Furthermore, I believe the book will touch upon the socio-economic and political factors that underpinned this ambitious building program. How did Venice’s vast trading network and its republican governance influence the scale and style of its construction? This book, I feel, will offer a profound insight into the creation of a masterpiece, showcasing both human ingenuity and the profound impact of historical context.

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The title, *The Building of Renaissance Venice*, immediately conjures images of architectural marvels and the sophisticated urban planning that defined this extraordinary city. I approach this book with a deep fascination for how a civilization flourished in such a unique and challenging geographical setting. My expectation is that the author will meticulously unpack the processes and principles behind Venetian construction during this pivotal period. I anticipate a detailed exploration of the foundational engineering required to build on water, from the selection of timber for piles to the techniques used to create stable substructures. Beyond the basic necessities, I’m eager to discover how Renaissance ideals of beauty, proportion, and harmony were translated into the physical fabric of the city. This likely involves a close examination of iconic structures, analyzing their design elements, the innovative use of materials such as marble and brick, and the sophisticated decorative arts that adorned them. I’m particularly interested in the role of the architects, artists, and craftsmen of the era – their training, their rivalries, and their contributions to the city’s aesthetic identity. Furthermore, I imagine the book will shed light on the broader urban landscape, discussing the layout of the canals, the development of public spaces like squares and marketplaces, and the functional as well as symbolic significance of various building types, from churches and palaces to civic institutions. It’s this holistic view of urban development, where engineering, art, and social function converge, that I find most compelling.

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The title *The Building of Renaissance Venice* immediately conveys a sense of historical depth and architectural ambition. My expectation for this book is to unravel the complex processes involved in transforming a unique aquatic environment into a thriving center of art, commerce, and power during the Renaissance. I anticipate a detailed account of the engineering and construction methods employed by the Venetians, particularly in overcoming the challenges posed by building on a lagoon. This would likely include discussions on the crucial role of wooden piles, the construction of foundations, and the management of the intricate network of canals and bridges that formed the city’s arteries. I am also eager to learn how the architectural styles of the Renaissance were interpreted and adapted within the Venetian context. This could involve examining the influence of classical antiquity, the development of distinct Venetian Renaissance features, and the integration of artistic elements such as sculpture and painting into the built environment. The book, I believe, will also highlight the human capital involved – the architects, master builders, artisans, and laborers who contributed their skills and vision to these monumental projects. Understanding their roles, their training, and the organizational structures that supported their work would be incredibly insightful. Furthermore, I expect the book to explore the economic and political drivers behind this extensive urban development, connecting Venice's commercial success and its republican governance to the scale and character of its building endeavors. Ultimately, I believe this book promises a comprehensive and compelling narrative of how Venice was physically and culturally constructed during its most celebrated era.

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15世纪威尼斯,从哥特建筑的繁艳到Codussi主导的文艺复兴建筑风格的大变。威尼斯共和国比寡头政体有自己的优点,治淤、护港、修桥,大量的务实工程,开支精打细算。也企图拆迁、改建、把碍眼的鱼市之类挪走、给国际商户辟出高级地段,但毕竟视商业为生命血液,且有欧洲数量最多的力量壮大的行会,所以集市始终是四海一家的热闹

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15世纪威尼斯,从哥特建筑的繁艳到Codussi主导的文艺复兴建筑风格的大变。威尼斯共和国比寡头政体有自己的优点,治淤、护港、修桥,大量的务实工程,开支精打细算。也企图拆迁、改建、把碍眼的鱼市之类挪走、给国际商户辟出高级地段,但毕竟视商业为生命血液,且有欧洲数量最多的力量壮大的行会,所以集市始终是四海一家的热闹

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15世纪威尼斯,从哥特建筑的繁艳到Codussi主导的文艺复兴建筑风格的大变。威尼斯共和国比寡头政体有自己的优点,治淤、护港、修桥,大量的务实工程,开支精打细算。也企图拆迁、改建、把碍眼的鱼市之类挪走、给国际商户辟出高级地段,但毕竟视商业为生命血液,且有欧洲数量最多的力量壮大的行会,所以集市始终是四海一家的热闹

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15世纪威尼斯,从哥特建筑的繁艳到Codussi主导的文艺复兴建筑风格的大变。威尼斯共和国比寡头政体有自己的优点,治淤、护港、修桥,大量的务实工程,开支精打细算。也企图拆迁、改建、把碍眼的鱼市之类挪走、给国际商户辟出高级地段,但毕竟视商业为生命血液,且有欧洲数量最多的力量壮大的行会,所以集市始终是四海一家的热闹

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15世纪威尼斯,从哥特建筑的繁艳到Codussi主导的文艺复兴建筑风格的大变。威尼斯共和国比寡头政体有自己的优点,治淤、护港、修桥,大量的务实工程,开支精打细算。也企图拆迁、改建、把碍眼的鱼市之类挪走、给国际商户辟出高级地段,但毕竟视商业为生命血液,且有欧洲数量最多的力量壮大的行会,所以集市始终是四海一家的热闹

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