Revolution and Its Narratives 在线电子书 图书标签: 海外中国研究 文学研究 英语 文化研究 当代中国 域外汉学 历史2 共和国
发表于2024-12-23
Revolution and Its Narratives 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024
It does much to jargonize & artificially complicate a set of shifting historical, social and political conditions #壹柒讀#027#SOAS
评分It does much to jargonize & artificially complicate a set of shifting historical, social and political conditions #壹柒讀#027#SOAS
评分It does much to jargonize & artificially complicate a set of shifting historical, social and political conditions #壹柒讀#027#SOAS
评分It does much to jargonize & artificially complicate a set of shifting historical, social and political conditions #壹柒讀#027#SOAS
评分It does much to jargonize & artificially complicate a set of shifting historical, social and political conditions #壹柒讀#027#SOAS
Cai Xiang is Professor of Chinese Literature and Director of the Research Institute for Contemporary Literature at Shanghai University.
Rebecca E. Karl is Associate Professor of History at New York University and the author of Mao Zedong and China in the Twentieth-Century World: A Concise History, also published by Duke University Press.
Xueping Zhong is Professor of Chinese Literature and Culture at Tufts University and the author of Masculinity Besieged?: Issues of Modernity and Male Subjectivity in Chinese Literature of the Late Twentieth Century, also published by Duke University Press.
Published in China in 2010, Revolution and Its Narratives is a historical, literary, and critical account of the cultural production of the narratives of China's socialist revolution. Through theoretical, empirical, and textual analysis of major and minor novels, dramas, short stories, and cinema, Cai Xiang offers a complex study that exceeds the narrow confines of existing views of socialist aesthetics. By engaging with the relationship among culture, history, and politics in the context of the revolutionary transformation of Chinese society and arts, Cai illuminates the utopian promise as well as the ultimate impossibility of socialist cultural production. Translated, annotated, and edited by Rebecca E. Karl and Xueping Zhong, this translation presents Cai's influential work to English-language readers for the first time.
Editorial Reviews
Review
"Cai Xiang is a self-reflexive and capacious thinker. His dialectical approach to unresolvable tensions and contradictions within Chinese socialism is extremely valuable for scholars who take the lived experience of socialism seriously. This timely translation will help English-language readers reassess their received views about China's socialist past and its postsocialist present, allowing them to better appreciate why conflicting stories about the Chinese revolution continue to shape China's self-understanding and its position in the world."
(Lydia H. Liu, author of The Clash of Empires: The Invention of China in Modern World Making)
"A groundbreaking study, Revolution and Its Narratives presents a series of sympathetic and penetrating analyses that helps us better understand the cultural and social legacies underlying contemporary China. Since its publication in 2010, Cai Xiang's book has been widely recognized as a landmark achievement in Chinese socialist culture and history scholarship. This timely translation ought to have a deep impact on the study of modern China in the English-language world."
(Xiaobing Tang, author of Visual Culture in Contemporary China: Paradigms and Shifts)
“风景”的再发现与“劳动”的再定义 《革命/叙述:中国社会主义文学—文化想象》是蔡翔的一部新作,书中曾借用柄谷行人“风景的发现”这一概念,柄谷试图借助此概念观察现代日本文学的形成。他的意思是,所谓“风景”并非传统意义上的名胜古迹,而是以往人们忽略而不敢正视的东...
评分蔡翔《革命/叙述:中国社会主义文学-文化想象(1949-1966)》初版于2010年,是当代文学史的又一部力作。蔡翔自谓:在新世纪进入学院体制工作后,才开始将自身经验和感觉进行知识化工作。因此,《革命/叙述》是他“知识化”的产物。蔡翔进入学院体制的转变,在于他自觉地尝试新...
评分最初接触到“十七年文学”这一概念,是通过洪子诚先生的《中国当代文学史》。尽管作者文笔十分克制,我仍然对书中描述的“政治对文学的摧残”感到愤怒,几欲弃书,但最终还是读完了此书关于“社会主义革命文学”的部分。洪子诚先生“一体化”的叙述,更使我对这一时期的文学深...
评分蔡翔在他的新书《革命/叙述》导言中谈到了关于社会主义革命(尤其是土改阶段)的“暴力”问题。对于当前一种出于人道主义的有关“暴力”的道德批判,他针锋相对地说: 当批评者面对反抗者的暴力时,“人道主义”总是适时地出现;可是,当他们面对压迫者的暴力时,要么充耳不闻...
评分蔡翔《革命/叙述:中国社会主义文学-文化想象(1949-1966)》初版于2010年,是当代文学史的又一部力作。蔡翔自谓:在新世纪进入学院体制工作后,才开始将自身经验和感觉进行知识化工作。因此,《革命/叙述》是他“知识化”的产物。蔡翔进入学院体制的转变,在于他自觉地尝试新...
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