From the creator of the Emmy Award-winning "Downton Abbey...""" "The English, of all classes as it happens, are addicted to exclusivity. Leave three Englishmen in a room and they will invent a rule that prevents a fourth joining them."
The best comedies of manners are often deceptively simple, seamlessly blending social critique with character and story. In his superbly observed first novel, Julian Fellowes, creator of the Masterpiece sensation "Downton Abbey "and winner of an Academy Award for his original screenplay of Gosford Park, brings us an insider's look at a contemporary England that is still not as classless as is popularly supposed.
Edith Lavery, an English blonde with large eyes and nice manners, is the daughter of a moderately successful accountant and his social-climbing wife. While visiting his parents' stately home as a paying guest, Edith meets Charles, Earl of Broughton, and heir to the Marquess of Uckfield, who runs the family estates in East Sussex and Norfolk. To the gossip columns he is one of the most eligible young aristocrats around.
When he proposes. Edith accepts. But is she really in love with Charles? Or with his title, his position, and all that goes with it?
One inescapable part of life at Broughton Hall is Charles's mother, the shrewd Lady Uckfield, known to her friends as "Googie" and described by the narrator---an actor who moves comfortably among the upper classes while chronicling their foibles---"as the most socially expert individual I have ever known at all well. She combined a watchmaker's eye for detail with a madam's knowledge of the world." Lady Uckfield is convinced that Edith is more interested in becoming a countess than in being a good wife to her son. And when a television company, complete with a gorgeous leading man, descends on Broughton Hall to film a period drama, "Googie's" worst fears seem fully justified.
In this wickedly astute portrait of the intersecting worlds of aristocrats and actors, Julian Fellowes establishes himself as an irresistible storyteller and a deliciously witty chronicler of modern manners.
评分
评分
评分
评分
这本书的叙事节奏简直像夏日的午后,缓慢而又充满着一种不经意的张力。作者对人物心理的刻画细腻得让人心惊,仿佛每一个角色的内心独白都带着湿润的露水,新鲜又真实。我尤其欣赏它对社会阶层间微妙隔阂的处理,那种不动声色的疏离感,比直接的冲突更令人感到窒息。书中几处场景的描绘,无论是灯火阑珊的旧式会所,还是阴雨连绵的郊外别墅,都构建了一个个如同油画般精致的微观世界。我花了很长时间去品味那些对话,它们大多言简意赅,但每一个词语的背后都似乎蕴含着未说出口的巨大信息量。有时候,我甚至会合上书,盯着天花板,试图去还原角色们在那个特定情境下的呼吸频率和眼神交流。这本书没有宏大的史诗叙事,它聚焦于“人”在特定环境下的反应,那份对人性幽微之处的挖掘,使得阅读过程成了一种近乎于冥想的体验。读完后,那种挥之不去的感觉,不是情节的跌宕,而是那种被深刻理解的,略带忧伤的共鸣。
评分这本书最让我印象深刻的是它对“环境对塑造个体的影响”这一主题的深刻洞察。它不仅仅是一部关于人物命运的小说,更像是一部关于特定文化氛围如何潜移默化地侵蚀或定义个人的社会学论文,只不过是以小说形式呈现的。作者对室内装饰、服饰选择、乃至举止礼仪的描述,都不是简单的背景填充,而是构建角色内在世界的关键元素。每一次翻页,都像是在揭开一层厚厚的面具,让我们看到在极度注重外在规范的群体中,真实情感是如何被压抑和扭曲的。我被书中几处关于“沉默的权力斗争”的描写所吸引,那些没有爆发的争吵,那些只通过一个眼神就能传达的警告和服从,比任何激烈的冲突都更具戏剧张力。这本书让我重新审视了我们日常生活中所扮演的各种社会角色,以及我们为了维持这些角色所做的妥协。它是一次对精致、压抑且充满暗流的社会生活的透视之旅。
评分这本书的文体风格非常大胆,它似乎在不断地尝试打破传统的叙事框架,用一种近乎于意识流的手法来引导读者穿梭于不同的时间线和记忆碎片之间。一开始我有些跟不上,感觉像是被卷入了一场精心设计的迷宫,但一旦适应了那种跳跃式的思维,便能体会到作者在结构上的匠心独运。那些看似不连贯的片段,最终总能在更深层次上汇集成一股强大的情感洪流。我特别注意到作者对感官细节的偏爱,气味、质地、光线的细微变化,都被捕捉得极其精准,这使得阅读体验具有极强的沉浸感,仿佛我本人就站在那个尘土飞扬的阁楼,或是闻到了壁炉中木柴燃烧的焦香。这种对细节的极致追求,也让这本书的文本密度极高,我不得不放慢速度,像剥洋葱一样一层层地去解读那些饱含象征意义的意象。它不是一本可以轻易消化的读物,更像是一块需要耐心咀嚼的黑巧克力,回味无穷。
评分我必须承认,这本书的开篇部分略显沉闷,角色介绍和背景铺陈似乎拖沓了些,让我一度想把它束之高阁。然而,一旦故事的主线——那种关于身份认同的隐秘挣扎——开始浮出水面,情况就完全不同了。作者的高明之处在于,他没有直接给出答案,而是将一个巨大的问号抛给了读者,让每个人都必须参与到对主角动机的审视中去。它探讨的议题非常尖锐,关于伪装、关于被接纳的渴望,以及维持某种表象所付出的隐形代价。我很少读到如此坦诚地剖析“体面”背后那层薄冰的书籍。阅读过程中,我常常会产生一种强烈的代入感,思考如果是我处于那种进退维谷的境地,我会如何选择,而每一次设想都令人感到不安。这本书的后劲很足,它没有提供廉价的安慰,而是留下了一个发人深省的、关于自我定义的开放式结局。
评分如果要用一个词来形容这本书给我的感受,那大概是“冰冷的美感”。它的语言是极其考究的,每一句话都像经过了千锤百炼的钻石,棱角分明,反射着清冷的光芒。叙述者保持着一种不动声色的距离感,这种距离感非但没有削弱故事的感染力,反而增强了其悲剧色彩的宿命感。我欣赏作者是如何驾驭讽刺的语气的,那种微妙的嘲弄和自嘲交织在一起,构建了一种独特的黑色幽默。书中的场景切换常常出乎意料,从繁华的都市转瞬来到荒芜的海边,这种地理上的巨大跨越,似乎也映射着人物内心世界的剧烈震荡。它成功地描绘了一种“局外人”的视角,观察着那些看似光鲜亮丽的群体,同时又身不由己地被卷入其中。这本书无疑是为那些喜欢深度剖析社会结构和人性弱点的读者准备的盛宴。
评分 评分 评分 评分 评分本站所有内容均为互联网搜索引擎提供的公开搜索信息,本站不存储任何数据与内容,任何内容与数据均与本站无关,如有需要请联系相关搜索引擎包括但不限于百度,google,bing,sogou 等
© 2026 book.wenda123.org All Rights Reserved. 图书目录大全 版权所有