CHARLES BURNS grew up in Seattle in the 1970s. His work rose to prominence in Art Spiegelman's RAW magazine in the mid-1980s, and since then he has worked on a wide range of projects including album covers, ad campaigns, and set design. He has illustrated covers for Time, The New Yorker, and The New York Times Sunday Magazine, and is cover artist for The Believer. His full-length graphic novel, Black Hole received Eisner, Harvey, and Ignatz awards. He lives in Philadelphia with his wife and daughters.
A true graphic milestone: the epic trilogy that began with X'ed Out, continued in The Hive, and concluded in Sugar Skull—now in one volume.
The long strange trip of Doug in all its mind-bending, heartbreaking totality. The fragments of the past collide with the reality of the present, nightmarish dreams evolve into an even more dreadful reality, and when you finally find out where all of this has been going, and what it means . . . it will make you go right back to the first page and read it all again with new eyes. Just like Doug.
(With full-color illustrations throughout)
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穿過幻覺,記憶,夢境,去再見你一麵
评分不知道Charles Burns怎麼寫作,感覺是先做齣大部分文字,再分鏡。對話和整頁的設計太好瞭 - layout和敘事重量平衡,而chris ware總讓我覺得形式大過內容orz
评分不知道Charles Burns怎麼寫作,感覺是先做齣大部分文字,再分鏡。對話和整頁的設計太好瞭 - layout和敘事重量平衡,而chris ware總讓我覺得形式大過內容orz
评分不知道Charles Burns怎麼寫作,感覺是先做齣大部分文字,再分鏡。對話和整頁的設計太好瞭 - layout和敘事重量平衡,而chris ware總讓我覺得形式大過內容orz
评分穿過幻覺,記憶,夢境,去再見你一麵
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