In Germany, in 1814, Wilhelm Sattler created an extremely toxic arsenic and verdigris compound pigment, Schweinfurt green–known also as Paris, Vienna, or emerald green–which became an instant favorite amongst designers and manufacturers the world over, thanks to its versatility in creating enduring yellows, vivid greens, and brilliant blues. Most insidiously, the arsenic-laced pigment made its way into intricately patterned, brightly colored wallpapers and from there, as they became increasingly in vogue, into the Victorian home. As its use became widespread, commercial arsenic mines increased production to meet the near-insatiable demand. Not least of which was the UK’s largest mining plant, DGC whose owner was William Morris, originator of the British Arts and Crafts movement and arguably the finest wallpaper designer of his generation.
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图书馆打工时候看到别人还的书，内容简单但装帧好好看。
评分图书馆打工时候看到别人还的书，内容简单但装帧好好看。
评分维多利亚毒墙纸的故事，材料很多可惜故事没讲好，Morris和含砷墙纸的关联更像这本书的广告而不是核心历史叙述，但是装帧印刷是真好，封面如果是布面而不是硬纸就更好了。
评分维多利亚毒墙纸的故事，材料很多可惜故事没讲好，Morris和含砷墙纸的关联更像这本书的广告而不是核心历史叙述，但是装帧印刷是真好，封面如果是布面而不是硬纸就更好了。
评分维多利亚毒墙纸的故事，材料很多可惜故事没讲好，Morris和含砷墙纸的关联更像这本书的广告而不是核心历史叙述，但是装帧印刷是真好，封面如果是布面而不是硬纸就更好了。
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