'Twelve little machines to make death and failure, ' Redonnet calls the twelve characters -- or the twelve stories -- we find in this book, and it's true: every tale we find here tells the same story, albeit in twelve different forms, the story of a kind of erasure, of disappearance and undoing, owing to the characters' fatal need to make of themselves a copy of another. -- From the translator's introduction
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The best way to deal with your family heritage is to take it and transform it into something your own.
评分The best way to deal with your family heritage is to take it and transform it into something your own.
评分The danger of imitation, of absolute identification with the other. Beautiful language: sadly funny, deliberately vague and placeless, oddly elegant, startlingly unadorned, starkly eccentric; reminds me you can tell a powerful story with such simple language
评分The danger of imitation, of absolute identification with the other. Beautiful language: sadly funny, deliberately vague and placeless, oddly elegant, startlingly unadorned, starkly eccentric; reminds me you can tell a powerful story with such simple language
评分The best way to deal with your family heritage is to take it and transform it into something your own.
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