K-pop Live

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Suk-Young Kim is Professor of Critical Studies and the Director of the Center for Performance Studies at the University of California, Los Angeles. She is also the author of the award-winning book DMZ Crossing: Performing Emotional Citizenship Along the Korean Border (2014). Her research and commentary have been featured on CNN and NPR.

出版者:Stanford University Press
作者:Suk-Young Kim
出品人:
页数:280
译者:
出版时间:2018-8-7
价格:USD 90.00
装帧:Hardcover
isbn号码:9781503605039
丛书系列:
图书标签:
  • KPOP 
  • 音乐 
  • K-pop 
  • 韩国 
  • 爱豆 
  • 偶像 
  • Transnationalism 
  • Ethnography 
  •  
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1990s South Korea saw the transition from a military dictatorship to a civilian government, from a manufacturing economy to a postindustrial hub, and from a cloistered society to a more dynamic transnational juncture. These seismic shifts had a profound impact on the media industry and the rise of K-pop. In K-pop Live, Suk-Young Kim investigates the meteoric ascent of Korean popular music in relation to the rise of personal technology and social media, situating a feverish cross-media partnership within the Korean historical context and broader questions about what it means to be "live" and "alive."

Based on in-depth interviews with K-pop industry personnel, media experts, critics, and fans, as well as archival research, K-pop Live explores how the industry has managed the tough sell of live music in a marketplace in which virtually everything is available online. Teasing out digital media's courtship of "liveness" in the production and consumption of K-pop, Kim investigates the nuances of the affective mode in which human subjects interact with one another in the digital age. Observing performances online, in concert, and even through the use of holographic performers, Kim offers readers a step-by-step guide through the K-pop industry's variegated efforts to diversify media platforms as a way of reaching a wider global network of music consumers. In an era when digital technology inserts itself into nearly all social relationships, Kim reveals how "what is live" becomes a question of how we exist as increasingly mediated subjects, fragmented and isolated by technological wonders while also longing for a sense of belonging and being alive through an interactive mode of exchange we often call "live."

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读起来特别舒服的学术书籍:)

评分

读起来特别舒服的学术书籍:)

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在导师的政治人类学课上读过,现在回想起来似乎能记得的一点是作者将人们对生命转瞬即逝的感叹和对liveness的追求联系在一起,当时看的一知半解,以后有时间会找来再读。此外,作者还提到了K-pop作为一种娱乐文化的跨国流动。

评分

在导师的政治人类学课上读过,现在回想起来似乎能记得的一点是作者将人们对生命转瞬即逝的感叹和对liveness的追求联系在一起,当时看的一知半解,以后有时间会找来再读。此外,作者还提到了K-pop作为一种娱乐文化的跨国流动。

评分

读起来特别舒服的学术书籍:)

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