The Spatiality of Emotion in Early Modern China 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024


The Spatiality of Emotion in Early Modern China

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Ling Hon Lam 作者
Columbia University Press
译者
2018-5-15 出版日期
352 页数
USD 60.00 价格
Hardcover
丛书系列
9780231187947 图书编码

The Spatiality of Emotion in Early Modern China 在线电子书 图书标签: 海外中国研究  情感理论  空间历史  林凌瀚  文学  戏剧  英文原版  汉学   


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发表于2024-11-05


The Spatiality of Emotion in Early Modern China 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

The Spatiality of Emotion in Early Modern China 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

The Spatiality of Emotion in Early Modern China 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024



The Spatiality of Emotion in Early Modern China 在线电子书 用户评价

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"walking the fine line between phenomenology and affect theory"; but really the engagement (/self-defend) with emotion and historicity takes it too redundant from a possibly more delicate and effectively stronger work that speaks impactfully to neospinozian philosophy

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情感本身就是空间结构化的(此外在性绝非自内向外的投射),从中文的情境一词便可见一斑。theatricality不是戏剧艺术的本质,而是跨媒介和中介作用的结果,一种对应主体移/失位、抽离地观看而兴起的观众学(魂梦前)。在此之前的情-境,则有无孔不入的风(沉浸式、病理化),以及幻觉与现实永无止境地置换下去的梦境(玄览、度脱)。真假美猴王故事揭示一心及其复象、观众与此竞斗的二心之间,无法弥合的距离;王夫之关于情和景妙合无垠的修辞,泄露出对观看内蕴距离的焦虑。十七世纪前的中国戏剧表演,可视作演员穿越鬼门道后,持续且暂时的转变(非他非我);而theatricality(建立在戏中戏而非元戏剧之上)与剧场建筑革新(二层看楼)密不可分,随之兴起的还有设身处地的移情概念,指向作者/笔下角色/观众之间的认同。

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The Spatiality of Emotion in Early Modern China 在线电子书 著者简介

Ling Hon Lam is assistant professor in the Department of East Asian Languages and Cultures at the University of California, Berkeley.


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The Spatiality of Emotion in Early Modern China 在线电子书 pdf 下载 txt下载 epub 下载 mobi 在线电子书下载

The Spatiality of Emotion in Early Modern China 在线电子书 图书描述

Emotion takes place. Rather than an interior state of mind in response to the outside world, emotion per se is spatial, at turns embedding us from without, transporting us somewhere else, or putting us ahead of ourselves. In this book, Ling Hon Lam gives a deeply original account of the history of emotions in Chinese literature and culture centered on the idea of emotion as space, which the Chinese call “emotion-realm” (qingjing).

Lam traces how the emotion-realm underwent significant transformations from the dreamscape to theatricality in sixteenth- to eighteenth-century China. Whereas medieval dreamscapes delivered the subject into one illusory mood after another, early modern theatricality turned the dreamer into a spectator who is no longer falling through endless oneiric layers but pausing in front of the dream. Through the lens of this genealogy of emotion-realms, Lam remaps the Chinese histories of morals, theater, and knowledge production, which converge at the emergence of sympathy, redefined as the dissonance among the dimensions of the emotion-realm pertaining to theatricality.The book challenges the conventional reading of Chinese literature as premised on interior subjectivity, examines historical changes in the spatial logic of performance through media and theater archaeologies, and ultimately uncovers the different trajectories that brought China and the West to the convergence point of theatricality marked by self-deception and mutual misreading. A major rethinking of key terms in Chinese culture from a comparative perspective, The Spatiality of Emotion in Early Modern China develops a new critical vocabulary to conceptualize history and existence.

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