Sons and Lovers pdf epub mobi txt 电子书 下载 2025
DAVID HERBERT LAWRENCE was born September 11, 1885 in Eastwood, Nottinghamshire. His father was a miner and his mother was a schoolteacher. In 1906 he took up a scholarship at Nottingham University to study to be a teacher. His first novel, The White Peacock, was published in 1911. Lawrence gave up teaching in 1911 due to illness. In 1912 he met and fell in love with a married woman, Frieda Weekley, and they eloped to Germany together. They were married in 1914 and spent the rest of their lives together travelling around the world. In 1915 Lawrence published The Rainbow which was banned in Great Britain for obscenity. Women in Love continues the story of the Brangwen family begun in The Rainbow and was finished by Lawrence in 1916 but not published until 1920. Another of Lawrence's most famous works, Lady Chatterley's Lover, was privately printed in Florence in 1928 but was not published in Britain until 1960, when it was the subject of an unsuccessful court case brought against it for obscenity. As well as novels, Lawrence also wrote in a variety of other genres and his poetry, criticism and travel books remain highly regarded. He was also a keen painter. D.H. Lawrence died in France on March 2, 1930.
- 外国文学
- Lawrence
- H.
- D.
- 1001
The struggle for power at the heart of a family in conflict, the mysteries of sexual initiation, and the pain of irretrievable loss are the universal motifs with which D. H. Lawrence fashions one of the world’s most original autobiographical novels.
Gertrude Morel is a refined woman who married beneath her and has come to loathe her brutal, working-class husband. She focuses her passion instead on her two sons, who return her love and despise their father. Trouble begins when Paul Morel, a budding artist, falls in love with a young woman who seems capable of rivaling his mother for possession of his soul. In the ensuing battle, he finds his path to adulthood tragically impeded by the enduring power of his mother’s grasp. Published on the eve of World War I, SONS AND LOVERS confirmed Lawrence’s genius and inaugurated the controversy over his explicit writing about sexuality and human relationships that would follow him to the end of his career.
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忘了自己什么时候借的书，似乎看得时间略微久了些，至于为什么看这么久？嗯······大概是觉得这书看得让人心情不好。 书中的几个主要人物的性格都让人觉得不舒服。一切由莫瑞尔太太不幸的婚姻而展开，因为仓促地决定了结婚的对象，没有过多的相处，没有对双方性格的仔细...
评分他们也是经过相识、然后相恋，最后结婚了。 可是只是经过短短的一年时间，两个人的感情就出现了问题。她发现了他其实并不适合他。事实上，他们两个人应该是两个世界的人，完全没有什么共同点的。应该说可能真的是应了那句话，叫做“相爱容易，相处难”。相互的欣赏...
评分忘了自己什么时候借的书，似乎看得时间略微久了些，至于为什么看这么久？嗯······大概是觉得这书看得让人心情不好。 书中的几个主要人物的性格都让人觉得不舒服。一切由莫瑞尔太太不幸的婚姻而展开，因为仓促地决定了结婚的对象，没有过多的相处，没有对双方性格的仔细...
评分 评分儿子保罗的成长是在一位苦难母亲极端的个人占有欲中蜕化的结果，母亲用爱夺走了儿子成长中的精神和肉体对象，儿子在母亲死后也被母亲的意志包裹在“沉寂中，包罗在天然的幽冥之中”，完成了自我的觉醒，这是一部在分裂意识酝酿下产生的人格完善的黑色喜剧。保罗的成长是一个渐...
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我曾经在很多不恰当的时候读了不恰当的书。可是这一本，却是我在正恰当的时候读到的正恰当的... Ah, the pieces of one self, the many forms of love. PS.看了一些相关文字后觉得在这个自传性的小说里其实L把自己和其他人，刻画地太过残忍了一些...Maybe, 'living rhythm' can only be achieved when the artist resists the temptation to maintain a distance between himself and his material.
评分我曾经在很多不恰当的时候读了不恰当的书。可是这一本，却是我在正恰当的时候读到的正恰当的... Ah, the pieces of one self, the many forms of love. PS.看了一些相关文字后觉得在这个自传性的小说里其实L把自己和其他人，刻画地太过残忍了一些...Maybe, 'living rhythm' can only be achieved when the artist resists the temptation to maintain a distance between himself and his material.
评分我曾经在很多不恰当的时候读了不恰当的书。可是这一本，却是我在正恰当的时候读到的正恰当的... Ah, the pieces of one self, the many forms of love. PS.看了一些相关文字后觉得在这个自传性的小说里其实L把自己和其他人，刻画地太过残忍了一些...Maybe, 'living rhythm' can only be achieved when the artist resists the temptation to maintain a distance between himself and his material.
评分我曾经在很多不恰当的时候读了不恰当的书。可是这一本，却是我在正恰当的时候读到的正恰当的... Ah, the pieces of one self, the many forms of love. PS.看了一些相关文字后觉得在这个自传性的小说里其实L把自己和其他人，刻画地太过残忍了一些...Maybe, 'living rhythm' can only be achieved when the artist resists the temptation to maintain a distance between himself and his material.
评分我曾经在很多不恰当的时候读了不恰当的书。可是这一本，却是我在正恰当的时候读到的正恰当的... Ah, the pieces of one self, the many forms of love. PS.看了一些相关文字后觉得在这个自传性的小说里其实L把自己和其他人，刻画地太过残忍了一些...Maybe, 'living rhythm' can only be achieved when the artist resists the temptation to maintain a distance between himself and his material.
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