DAVID HERBERT LAWRENCE was born September 11, 1885 in Eastwood, Nottinghamshire. His father was a miner and his mother was a schoolteacher. In 1906 he took up a scholarship at Nottingham University to study to be a teacher. His first novel, The White Peacock, was published in 1911. Lawrence gave up teaching in 1911 due to illness. In 1912 he met and fell in love with a married woman, Frieda Weekley, and they eloped to Germany together. They were married in 1914 and spent the rest of their lives together travelling around the world. In 1915 Lawrence published The Rainbow which was banned in Great Britain for obscenity. Women in Love continues the story of the Brangwen family begun in The Rainbow and was finished by Lawrence in 1916 but not published until 1920. Another of Lawrence's most famous works, Lady Chatterley's Lover, was privately printed in Florence in 1928 but was not published in Britain until 1960, when it was the subject of an unsuccessful court case brought against it for obscenity. As well as novels, Lawrence also wrote in a variety of other genres and his poetry, criticism and travel books remain highly regarded. He was also a keen painter. D.H. Lawrence died in France on March 2, 1930.
The struggle for power at the heart of a family in conflict, the mysteries of sexual initiation, and the pain of irretrievable loss are the universal motifs with which D. H. Lawrence fashions one of the world’s most original autobiographical novels.
Gertrude Morel is a refined woman who married beneath her and has come to loathe her brutal, working-class husband. She focuses her passion instead on her two sons, who return her love and despise their father. Trouble begins when Paul Morel, a budding artist, falls in love with a young woman who seems capable of rivaling his mother for possession of his soul. In the ensuing battle, he finds his path to adulthood tragically impeded by the enduring power of his mother’s grasp. Published on the eve of World War I, SONS AND LOVERS confirmed Lawrence’s genius and inaugurated the controversy over his explicit writing about sexuality and human relationships that would follow him to the end of his career.
他们也是经过相识、然后相恋,最后结婚了。 可是只是经过短短的一年时间,两个人的感情就出现了问题。她发现了他其实并不适合他。事实上,他们两个人应该是两个世界的人,完全没有什么共同点的。应该说可能真的是应了那句话,叫做“相爱容易,相处难”。相互的欣赏...
评分 评分他喜欢画画,喜欢晚上和母亲呆在家里,不时抬起头看着母亲那和颜悦色的脸,嘴角便会泛出一丝微笑,低下头继续作画。只要母亲坐在她的身旁,他就能竭力把画画好,她仿佛也感觉如此,心里喜的发颤,她做活或看书一连几个小时不动,隐约知道他在埋头工作。他则激情满腔地挥动...
评分在我的阅读经验里,小说可以有两种“深刻”:其一,壮阔、宏大、繁复,如《悲惨世界》和《百年孤独》;另一种,在小范围的时空里,在平凡人的身上,发掘出深刻的独特的意义,如福克纳,如劳伦斯。有些人向外扩展,有些人内省以寻找,两种都可以做得卓越——人心同样是一个深不...
评分it hurt the boy keenly,this feeling about her that she had never had her life's fulfillment ,and his own incapability to make up to her hurt him with a sense of impotence,yet made him patiently dogged inside.it was his childish dream. ...
我曾经在很多不恰当的时候读了不恰当的书。可是这一本,却是我在正恰当的时候读到的正恰当的... Ah, the pieces of one self, the many forms of love. PS.看了一些相关文字后觉得在这个自传性的小说里其实L把自己和其他人,刻画地太过残忍了一些...Maybe, 'living rhythm' can only be achieved when the artist resists the temptation to maintain a distance between himself and his material.
评分我曾经在很多不恰当的时候读了不恰当的书。可是这一本,却是我在正恰当的时候读到的正恰当的... Ah, the pieces of one self, the many forms of love. PS.看了一些相关文字后觉得在这个自传性的小说里其实L把自己和其他人,刻画地太过残忍了一些...Maybe, 'living rhythm' can only be achieved when the artist resists the temptation to maintain a distance between himself and his material.
评分我曾经在很多不恰当的时候读了不恰当的书。可是这一本,却是我在正恰当的时候读到的正恰当的... Ah, the pieces of one self, the many forms of love. PS.看了一些相关文字后觉得在这个自传性的小说里其实L把自己和其他人,刻画地太过残忍了一些...Maybe, 'living rhythm' can only be achieved when the artist resists the temptation to maintain a distance between himself and his material.
评分我曾经在很多不恰当的时候读了不恰当的书。可是这一本,却是我在正恰当的时候读到的正恰当的... Ah, the pieces of one self, the many forms of love. PS.看了一些相关文字后觉得在这个自传性的小说里其实L把自己和其他人,刻画地太过残忍了一些...Maybe, 'living rhythm' can only be achieved when the artist resists the temptation to maintain a distance between himself and his material.
评分我曾经在很多不恰当的时候读了不恰当的书。可是这一本,却是我在正恰当的时候读到的正恰当的... Ah, the pieces of one self, the many forms of love. PS.看了一些相关文字后觉得在这个自传性的小说里其实L把自己和其他人,刻画地太过残忍了一些...Maybe, 'living rhythm' can only be achieved when the artist resists the temptation to maintain a distance between himself and his material.
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