These two fragments of novels, Ingeborg Bachmann's only untranslated works of fiction, were intended to follow the widely acclaimed Malina in a cycle to be entitled Todesarten, or Ways of Dying. Although Bachmann died before completing them, The Book of Franza and Requiem for Fanny Goldmann stand on their own, continuing Bachmann's tradition of using language to confront the disease plaguing human relationships. Through the tales of two women in postwar Austria, Bachmann explores the "ways of dying" inflicted upon the living from outside and from within, through history, politics, religion, family, gender relations, and the self.Bachmann's allegiance to the twin muses of memory and history, as well as her perception of fascism as not being limited to the context of the war but also existing within the intimate relations of everyday life between husbands and wives, brothers and sisters, psychiatrists and patients' are supremely evident in The Book of Franza. Here, Bachmann follows a woman who escapes from a sanitorium and, after years of silence, sends her brother a cryptic telegram. Rightly suspecting that she has fled her sadistic husband -- a renowned Austrian psychiatrist whose intimate relations have merged with his studies of concentration camps -- her brother finds her in their childhood home. Together they travel to Egypt, where Franza slowly begins to regain her bearings. But Franza's desire to cleanse herself by journeying into the heart of the desert's void ends in tragedy, as she becomes the victim of a horrible act of violence.Unlike Franza, who attempts to flee her past but fails, the heroine of Requiem for Fanny Goldmann makes no attempt to escape her history. Thisnovel tells of the demise of a Viennese actress who is manipulated by a younger, ambitious playwright to advance his career. Deception follows disloyalty; the final treachery comes when the playwright portrays her in a novel, which secures his fame and, in Fanny's eyes, robs her of her future. Caught in a perpetual stasis, Fanny suffers in total obscurity, as her present is stolen from her as well.Whether analyzing the place where the self begins and the power of history ends or the ways in which women are forced to be complicit in their mistreatment at the hands of men, Bachmann's critical approach to the human psyche is unparalleled. Mesmerizing and profound, The Book of Franza and Requiem for Fanny Goldmann constitute the final evidence that Ingeborg Bachmann is the most important female German-language writer of the postwar period.
评分
评分
评分
评分
这本厚重的篇章,初翻开来便觉一股难以言喻的庄重感扑面而来。作者似乎以一种近乎宗教般的虔诚,去描摹那些被时间洪流冲刷得模糊不清的记忆碎片。阅读的过程与其说是欣赏故事的起伏,不如说更像是在参与一场漫长的考古发掘。每一个句子都像是一块精心打磨过的化石,需要耐心地拂去尘土,才能窥见其下隐藏的纹理和年代。我尤其欣赏其中对环境氛围的营造,那种静默、沉重,带着淡淡霉味的室内光景,仿佛能透过纸张的缝隙渗透到读者的呼吸之中。它不是那种提供即时快感的读物,更像是一壶需要时间慢炖的老茶,初尝或许平淡无奇,但回甘的悠长和复杂性,却在不知不觉间占据了你的心神。书中对人物内心细微波动的捕捉,达到了近乎病态的精准,那些未曾言明的挣扎、隐忍和最终的爆发,都以一种克制到极致的笔触展现出来,让人在共鸣之余,也感受到一种近乎疼痛的共情。它探讨的议题,关乎宿命的重量与个人意志的微弱,那种对存在本身的深刻质疑,久久萦绕不去,迫使人不得不停下笔来,审视自己生命中的那些未解之谜。
评分这本书的文字,如果用一个词来形容,那便是“冷峻”。它不卖弄华丽的辞藻,更不屑于刻意的煽情,一切都以一种近乎新闻报道般的客观和冷静来铺陈。然而,正是这种极致的疏离感,反倒构建出一种更深层次的情感张力。读者仿佛站在冰冷的玻璃墙外,观察着被困于特定环境中的角色们,他们每一次微小的挣扎、每一次徒劳的反抗,都因为这种旁观者的视角而被放大和凸显。我注意到作者在处理对话时,也极具匠心,很多关键信息的传递,并非通过直接的言语交锋,而是隐藏在那些未完成的句子、那些停顿和那些欲言又止的沉默之中。这要求读者必须投入极高的注意力去“阅读空气”,去解读字里行间那些被刻意留白的部分。这种阅读模式无疑提高了门槛,但对于那些享受智力挑战的读者来说,这无异于一场盛宴。它挑战了我们对传统叙事模式的依赖,迫使我们重新思考“讲述”与“揭示”之间的微妙界限。
评分拿起这本书时,我的第一印象是它的结构之精巧,简直像一个复杂的机械钟表,每一个齿轮——每一个章节——都咬合得天衣无缝,驱动着叙事的巨大惯性向前推进。作者显然对节奏的把控有着大师级的掌控力,时而如疾风骤雨,信息量在短时间内如潮水般涌来,令人应接不暇;时而又陡然放缓,用大段的内心独白或对景物的细致描摹,营造出一种时间停滞的错觉。这种张弛有度的叙事策略,使得即便内容本身较为晦涩,阅读体验也始终保持着一种高强度的吸引力。我仿佛被作者牵引着,穿梭于不同的时空维度,体验着角色们的喜怒哀乐,但更令人惊叹的是,这一切的转换都显得无比自然,毫无斧凿之痕。与其说是在读一个故事,不如说是在体验一种被精心编排的感官旅程。尤其是当两条看似毫无关联的线索在书页的中段汇合时,那种豁然开朗的震撼感,是近年来极少在文学作品中体验到的酣畅淋漓。
评分坦率地说,这是一部需要耐心的作品,它绝不会轻易向你敞开心扉。它更像是一部哲学思辨录披上了小说外衣。作者似乎更关注于“为什么”而非“是什么”,对人类行为动机的探究深入到近乎残酷的程度。书中对道德困境和伦理模糊地带的描摹,尤其令人印象深刻。它不提供简单的对错判断,而是将读者置于一个灰色地带的中央,迫使我们去面对那些我们通常选择逃避的问题:在极端压力下,人性的边界究竟在哪里?这种对人性本质的无情剥离,可能会让一些习惯于传统英雄主义叙事的读者感到不适,但对于寻求更深层次精神对话的人来说,这正中下怀。读完之后,你或许无法清晰地复述出所有情节的来龙去脉,但那些关于选择、代价和记忆重量的沉思,却会像烙印一样,深深地刻在你的脑海深处,久久无法抹去。
评分我发现这本书的魅力,很大程度上来源于它对于“空间”的独特处理。书中的场景设定,与其说是故事发生的背景,不如说它们本身就是具有生命力的角色。无论是那个被潮湿与阴影长期占据的阁楼,还是那条看似平凡却承载了无数秘密的鹅卵石小巷,每一个物理空间都被赋予了强烈的象征意义。作者通过对光线、气味、乃至微小声音的精准描绘,将这些地点塑造成了一种压抑、封闭的容器,牢牢地锁住了人物的命运。这种对环境的“人格化”处理,使得读者在阅读时,会不自觉地将角色的困境与他们所处的物理空间联系起来,形成一种感官上的双重压迫。这种对细节的偏执,构建了一个异常坚实、可信的世界观,尽管故事的内核可能涉及宏大或形而上的主题,但所有论证都根植于这些具体、可触摸的现实场景之中,使得整体的阅读体验扎实而富有重量感。
评分 评分 评分 评分 评分本站所有内容均为互联网搜索引擎提供的公开搜索信息,本站不存储任何数据与内容,任何内容与数据均与本站无关,如有需要请联系相关搜索引擎包括但不限于百度,google,bing,sogou 等
© 2026 book.wenda123.org All Rights Reserved. 图书目录大全 版权所有