From Publishers Weekly The heroine of this meditative debut novel spends a long drive from Massachusetts to her home state of Pennsylvania puzzling over, and coming to terms with, her complicated relationship with her mother. The trip is occasioned by the news that Mattie Welsh's parents have been seriously injured in a car accident, and Mattie, a middle-aged mother of two, embarks on many detours that transform her perspective on how her relationship with her mother came to be "estranged and entangled all at the same time." Mattie first picks up a pregnant hitchhiker who goes into labor while escaping a family reunion. At the hospital, lingering until the girl's own brash and critical mother arrives, Mattie visualizes how a free-spirited youngster turns into a reluctant parent. After calling her sister from the road and learning that their mother has died, Mattie makes another detour, volunteering to chauffeur a mother and daughter to the airport to pick up a second daughter, while eagerly looking for answers to her own troubling questions in the three women's tales of resentment and rivalry. Later, in the novel's most moving and illuminating encounter, Mattie leaves a rest stop shocked to find a little girl sleeping in her back seat. The families in this book are troubled, damaged and ordinary: Mattie's mother rages, but also nurtures, while Mattie's sister, Nancy, manipulates but also supports. The power of this quiet narrative lies not in dramatic revelations, but rather in the layers of emotion and understanding gradually revealed. A keen observer of gestures and detailed interpreter of loaded silences, Osborne emulates Ann Tyler in dissecting domestic relations, creating sharply drawn, quirky yet familiar female characters struggling to learn from the contradictions of their lives. She strikes a resonant emotional chord in her honest examination of the painful injustices and thwarted expectations thriving between, and dividing, mothers and daughters. Regional author tour. (Jan.) Copyright 1999 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title. From Library Journal For Mattie Welsh, the emotional distance between herself and her mother is a gap of miscommunication, lost opportunities, and unhappy choices. When Mattie's sister calls to tell her that their parents have been in a car accident, Mattie embarks on a double journey--a 400-mile drive, filled with detours and odd encounters, and a parallel, mental sojourn over past hurts and hopes. Most of Mattie's on-the-road meetings are with mothers and daughters who are playing out their own versions of emotional distances. With less subtle treatment, this theme could easily have resulted in cardboard characters and a one-note plot. But in this first novel, Osborne creates characters who are at once fragile and angry, giving and distant, and lovable and unlikable. There are no simple answers, and Mattie's arrival home is clearly just another stop on a longer journey. Highly recommended for public libraries and women's studies collections.-Jan Blodgett, Davidson Coll. Lib., NC Copyright 1999 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title. See all Editorial Reviews
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从纯粹的文学技巧层面来看,这本书的文字密度极高,需要细细咀嚼。它不像那些快节奏的商业小说那样一蹴而就,每一次翻页都像是在翻开一本古老的羊皮卷,需要耐心去辨认那些繁复的图纹。作者在处理人物的内心独白时,运用了一种近乎诗歌的语言,节奏感强,意象丰富,充满了那种古典文学的韵味,但这并不妨碍它探讨现代性的主题。例如,一个关于“迷失方向”的场景,他可以描绘得如同神话史诗一般宏大,将个体的彷徨提升到人类生存困境的高度。这种“小中见大”的手法,赋予了普通情节一种史诗般的重量感。对于那些喜欢从文学作品中汲取深层美学享受的读者来说,这本书无疑是一份丰厚的馈赠,它要求你投入时间,但回报你的是对语言潜能的深刻体验。
评分这本书的哲学思辨性占据了极其重要的地位,它并不满足于讲述一个引人入胜的故事,它更像是一次对现代社会中个体疏离状态的冷峻解剖。作者似乎对“连接”的本质抱持着一种近乎悲观的态度,即便是最亲密的关系,也可能被一层无形的、坚硬的屏障所阻隔。我特别关注了其中关于“声音”的描写,角色们似乎总是在倾听,但听到的往往是噪音或是自己内心的回音,真正的、有效的沟通仿佛是一种奢侈品。这种对现代生活疏离感的捕捉是如此精确和令人不安,以至于读完之后,我开始审视自己与身边人的交流方式,那种被动地接受信息而非主动地理解的习惯被毫不留情地揭示了出来。它没有给出任何慰藉,而是将这种孤独的现实摆在你的面前,让你独自品尝那种被世界遗弃的清醒感。
评分这部作品的语言风格,说实话,初读时颇有些挑战性,它拒绝一切直白的表达,倾向于使用大量隐喻和意象来构建场景。就好比作者提供了一堆色彩斑斓的颜料,却要求读者自己去调配出最终的画面。这种高度的文学性和象征性,让一些情节的推进显得晦涩而缓慢,但一旦你捕捉到作者抛出的那个关键的意象——比如那个反复出现的“锈蚀的门环”——整个世界的逻辑便豁然开朗了。它探讨的不是简单的对错,而是关于记忆的不可靠性和个体经验的绝对性。我尤其被它对环境的描摹所吸引,那些荒凉的海岸线、终年弥漫着雾气的城镇,与其说是背景,不如说是主角们内心状态的外化。作者似乎深谙环境叙事的精髓,让外部世界成为了角色无声的证词。这使得整本书读起来,更像是在进行一场深度的考古工作,挖掘的不是历史,而是灵魂深处被时间掩埋的真相。
评分我几乎是屏住呼吸读完了这本书的中间部分,那种悬念的设置简直是大师级的。它巧妙地利用了信息的不对称性,让你感觉自己似乎比任何一个角色都更接近真相,但每当你以为抓住了线索时,作者又会用一个巧妙的转折将你拉回原点。这种阅读体验非常刺激,它迫使你不断地审视自己先前基于有限信息所做的所有判断。而且,这本书对“时间”的处理极为大胆和创新,它不是线性的推进,而是像一个被揉皱后又试图抚平的纸张,过去、现在、甚至是一些未曾发生的“未来”片段,都在页码之间相互渗透、相互影响。这种非线性的结构,极大地考验了读者的专注力,但回报也是巨大的,因为它忠实地反映了我们大脑处理创伤和回忆时的那种跳跃和碎片化。它让你不得不重新思考,我们所感知的“现实”,究竟有多少成分是真实的,又有多少是基于我们选择性记忆的构建。
评分这本书的叙事结构简直像一个精密的钟表,每一部分都咬合得天衣无缝,让人忍不住想去探究时间流逝的深层含义。作者在构建人物关系时,那种不动声色的细腻处理,仿佛是用最细的笔触描绘了一幅复杂的心理地图。我特别欣赏它对“等待”这一主题的反复叩问,那种横跨数个年头的隐忍与期盼,不是用大开大合的戏剧冲突来展现,而是通过日常琐碎的细节,比如一封未寄出的信、一个反复擦拭的物件,将那种深入骨髓的失落和希望的微光揉捏在一起,久久萦绕不去。读到某些段落,我甚至能感受到角色周遭空气的凝滞感,那种物理上的距离与心理上的隔阂交织在一起,形成了一种独特的张力。它没有提供廉价的答案,而是将读者推入了一个由无数个“如果”构成的迷宫,让人在阅读结束后,依然需要在脑海中不断地重构那些未竟的对话和错过的瞬间。文字的节奏感掌握得极好,时而如涓涓细流般平缓,时而又像暗流涌动般突然爆发,这种张弛有度的叙事节奏,极大地增强了阅读的沉浸感和情感冲击力。
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