Gender, Politics, and Allegory in the Art of Peter Paul Rubens examines the intertwined relationship between paintings of family and marriage, and of war, peace, and statehood by the Flemish master. Drawing extensively upon recent critical and gender theory, Lisa Rosenthal reshapes our view of Rubens' works and of the interpretive practices through which we engage them. Close readings offer new interpretations of canonical images, while bringing into view other powerful works which are less familiar. The focus on gender serves as a catalyst that enables an original way of reading visual allegory, giving it a dynamic multivalence undiscovered by traditional iconographic methods.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
魯本斯的畫是霧氣和光彩
评分魯本斯的畫是霧氣和光彩
评分魯本斯的畫是霧氣和光彩
评分魯本斯的畫是霧氣和光彩
评分魯本斯的畫是霧氣和光彩
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