The Rhetoric of Perspective 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024


The Rhetoric of Perspective

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Hanneke Grootenboer 作者
University Of Chicago Press
译者
2005-5-2 出版日期
246 页数
USD 45.00 价格
Hardcover
丛书系列
9780226309682 图书编码

The Rhetoric of Perspective 在线电子书 图书标签: 艺术史  荷兰  艺术  学术  历史   


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发表于2024-11-10


The Rhetoric of Perspective 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

The Rhetoric of Perspective 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

The Rhetoric of Perspective 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024



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目前读到最喜欢两本理论书籍之一

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冷门艺术史话题。在前工业时代的17世纪荷兰人,没事干了,把油画当作探索和认识世界的方式,什么数理科技,光学透视,人生思考,日常生活的自我呈现,都放进去...

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best therorized history of Dutch still life after Bryson's Looking at the overlooked; great intro chpt

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冷门艺术史话题。在前工业时代的17世纪荷兰人,没事干了,把油画当作探索和认识世界的方式,什么数理科技,光学透视,人生思考,日常生活的自我呈现,都放进去...

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best therorized history of Dutch still life after Bryson's Looking at the overlooked; great intro chpt

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The Rhetoric of Perspective 在线电子书 图书描述

Perspective determines how we, as viewers, perceive painting. We can convince ourselves that a painting of a bowl of fruit or a man in a room appears to be real by the way these objects are rendered. Likewise, the trick of perspective can prevent us from being absorbed in a scene. Connecting contemporary critical theory with close readings of seventeenth-century Dutch visual culture, The Rhetoric of Perspective puts forth the claim that painting is a form of thinking and that perspective functions as the language of the image. Aided by a stunning full-color gallery, Hanneke Grootenboer proposes a new theory of perspective based on the phenomenological aspects of non-narrative still-life, trompe l'oeil, and anamorphic imagery. Drawing on playful and mesmerizing baroque images, Grootenboer characterizes what she calls their "sophisticated deceit," asserting that painting is more about visual representation than about its supposed objects. Offering an original theory of perspective's impact on pictorial representation, the act of looking, and the understanding of truth in painting, Grootenboer, shows how these paintings both question the status of representation and explore the limits and credibility of perception.

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