Vladimir Nabokov

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Brian Boyd is Distinguished University Professor in the Department of English at the University of Auckland, New Zealand. He is the author of the prize-winning Vladimir Nabokov: The Russian Years (Princeton 1990), Vladimir Nabokov: The American Years (Princeton 1991), and Nabokov's Ada: The Place of Consciousness. Referred to in a recent journal as "the great man of Nabokov studies," he has also edited Nabokov's English novels and autobiography for the Library of America and Nabokov's Butterflies for Beacon Press.

出版者:Princeton University Press
作者:Boyd, Brian
出品人:
页数:648
译者:
出版时间:1993-1
价格:$ 56.44
装帧:Paperback
isbn号码:9780691024707
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This first major critical biography of Vladimir Nabokov, one of the greatest of twentieth-century writers, finally allows us full access to the dramatic details of his life and the depths of his art. An intensely private man, Nabokov was uprooted first by the Russian Revolution and then by World War II. Transformed into a permanent wanderer, he did not achieve fame until late in life, with the success of Lolita. In this first of two volumes, Brian Boyd vividly describes the liberal milieu of the aristocratic Nabokovs, their escape from Russia, Nabokov's education at Cambridge, and the murder of his father in Berlin. Boyd then turns to the years that Nabokov spent, impoverished, in Germany and France, until the coming of Hitler forced him to flee, with wife and son, to the United States. This volume stands on its own as a fascinating exploration of Nabokov's Russian years and Russian worlds, prerevolutionary and migr. In the course of his ten years' work on the biography, Boyd traveled along Nabokov's trail everywhere from Yalta to Palo Alto. The only scholar to have had free access to the Nabokov archives in Montreux and the Library of Congress, he also interviewed at length Nabokov's family and scores of his friends and associates. For the general reader, Boyd offers an introduction to Nabokov the man, his works, and his world. For the specialist, he provides a basis for all future research on Nabokov's life and art, as he dates and describes the composition of all Nabokov's works, published and unpublished. Boyd investigates Nabokov's relation to and his independence from his time, examines the special structures of his mind and thought, and explains the relations between his philosophy and his innovations of literary strategy and style. At the same time he provides succinct introductions to all the fiction, dramas, memoirs, and major verse; presents detailed analyses of the major books that break new ground for the scholar, while providing easy paths into the works for other readers; and shows the relationship between Nabokov's life and the themes and subjects of his art.

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纳博科夫是我最喜爱的作家之一,看学者如何分析解读他,自然有益有趣。要真正了解和欣赏一位外国作家,当然最好是读外语原文。但是,中文本身却是那么美妙的一种“图画”文字,能够瞬间传达出作者想要表达的意象、色彩和场景,哪怕是翻译作品,也同样如此。遇上一位好译者,通...  

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“洛丽塔”号飓风席卷全美的那一年,众人皆知“洛丽塔的创造者”:弗拉基米尔•纳博科夫。由于此前寂寂无名,许多人以为56岁的纳博科夫是个大器晚成的异国作家;又因题材出位的《洛丽塔》被误认作“色情文学”,在另外许多人看来,他必然是个老不正经的色情狂。 两年后,他借...  

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英国作家格雷厄姆•格林在评论狄更斯的文章中曾有过这样的想法,认为每个伟大作家的体内都生活着一个孩子,他们就是用小孩子的眼光来观看他们书写的世界的。纳博科夫持有相同的观点,他在《说吧,记忆》一书中写道:“童年饱含着成熟创造力的主要成分”。如果我们将他的童年...  

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纳博科夫所坚持的文学的最高道德: “我相信,有朝一日会重新鉴定并宣告:我并非一只轻浮的火鸟,而是一位固执的道德家,抨击罪恶,谴责愚蠢,嘲笑庸俗和残忍——崇尚温柔、才华和自尊。” …… 纳博科夫的“庸人”理论,定义是: 没有创造力的、受社会时尚牵制、对自我精神没...  

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作为译者的女儿……虽然我由于资历不够无法读完我爸翻译的书,(当然我一直看不懂我爸译的东西)但是!我还是要向大家推荐! 我老爸在翻译这本书的时候简直就是呕心沥血投入得让我和我妈都感动,连出去散步还要讲书里的故事,整个人被纳博科夫附身,每天简直一起床就开始了很...  

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