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You're Only as Good as Your Next One

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Mike Medavoy 作者
Atria
译者
2002-12-31 出版日期
416 页数
USD 26.95 价格
Paperback
丛书系列
9780743400558 图书编码

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发表于2024-11-30


You're Only as Good as Your Next One 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

You're Only as Good as Your Next One 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

You're Only as Good as Your Next One 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024



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You're Only as Good as Your Next One 在线电子书 著者简介


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You're Only as Good as Your Next One 在线电子书 pdf 下载 txt下载 epub 下载 mobi 在线电子书下载

You're Only as Good as Your Next One 在线电子书 图书描述

"If I had a talent for anything, it was a talent for knowing who was talented." Mike Medavoy is a Hollywood rarity: a studio executive who, though never far from controversy, has remained well loved and respected through four decades of moviemaking. What further sets him apart is his role in bringing to the screen some of the most acclaimed Oscar-winning films of our time: Apocalypse Now, One Flew Over the Cuckoo's Nest, Amadeus, The Silence of the Lambs, Philadelphia, and Sleepless in Seattle are just some of the projects he green-lighted at United Artists, Orion, TriStar, his own Phoenix Pictures. "The ultimate lose-lose situation for a studio executive: to wind up with a commercial bomb and a bad movie." Of course, there are the box office disasters, and the films, as Medavoy says, "for which I should be shot." They, too, have a place in his fascinating memoir -- a pull-no-punches account of financial and political maneuvering, and of working with the industry's brightest star power, including Steven Spielberg, Martin Scorsese, Francis Ford Coppola, Kevin Costner, Robert De Niro, Jodie Foster, Sharon Stone, Michael Douglas, Meg Ryan, and countless others. "Putting together the elements of a film is a succession of best guesses." Medavoy speaks out on how movie studio buyouts have stymied the creative process and brought an end to the "hands-off" golden age of filmmaking. An eyewitness to Hollywood history in the making, he gives a powerful and poignant view of the past and future of a world he knows intimately.

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1、有些地方看得糊里糊涂,究其原因,是因为在影片和人名后面没有附上原文,并且书后也没有对照表。以后再编电影书籍,一定要注意吸取这个教训,同时做好必要的注释。 有个事情放在这里解释一下:《波兰斯基回忆录》出来后,有读者反应说没有人名、片名对照表,其实是因为将此...

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1、有些地方看得糊里糊涂,究其原因,是因为在影片和人名后面没有附上原文,并且书后也没有对照表。以后再编电影书籍,一定要注意吸取这个教训,同时做好必要的注释。 有个事情放在这里解释一下:《波兰斯基回忆录》出来后,有读者反应说没有人名、片名对照表,其实是因为将此...

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作者是位电影制片人与影业CEO,从他的经验让我们知道什么是制片人?他会遇到什么问题? 通常制片工作都很难量化,以及评估的,最终都是以票房论英雄。 电影业的核心是创意与人才,不可复制与控制的性质强,这也是电影具有艺术性的特质。 华语电影圈的繁荣,业内的八卦,各种流...  

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