The first stage adaptation of Patricia Highsmith's famous crime novelTom Ripley is a criminal with an ambiguous past. He is sent to Italy by a wealthy financier to try and coax home the rich man's son. In the process Ripley becomes both attracted and seduced, finding the murder the only way to deal with the situation. From that point Ripley tries to cover up his crime. Patricia Highsmith's beguiling tale of morality and amorality is given a dramatic rendering by contemporary dramatist Phyllis Nagy, who knew Highsmith in her later years in Paris."Each play I see by Phyllis Nagy confirms me in the belief that she is the finest playwright to have emerged in the 1990s" (Financial Times)
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噗哈哈这不是Patricia写的那本。对主角的性取向处理的很大胆，看得我满脑子问号。要不是先看了这本，看原著时候估计要更加迷茫。
评分噗哈哈这不是Patricia写的那本。对主角的性取向处理的很大胆，看得我满脑子问号。要不是先看了这本，看原著时候估计要更加迷茫。
评分噗哈哈这不是Patricia写的那本。对主角的性取向处理的很大胆，看得我满脑子问号。要不是先看了这本，看原著时候估计要更加迷茫。
评分噗哈哈这不是Patricia写的那本。对主角的性取向处理的很大胆，看得我满脑子问号。要不是先看了这本，看原著时候估计要更加迷茫。
评分噗哈哈这不是Patricia写的那本。对主角的性取向处理的很大胆，看得我满脑子问号。要不是先看了这本，看原著时候估计要更加迷茫。
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