"In Comes I" is about performance and land, biography and locality, memory and place. The book reflects on performances past and present, taking the form of a series of excursions in the agricultural landscape of eastern England, and drawing from archaeology, geomorphology, folklore, local and family history. Mike Pearson, a leading theatre artist and solo-performer, returns to the landscape of his childhood - off the beaten track in Lincolnshire - and uses it as a mnemonic to reflect widely upon performance theory and practice. Rather than focusing on author, period and genre as is conventional in the study of drama, the book takes region as its optic, acknowledging the affective ties between people and place. Offering new approaches to the study of performance, he integrates intensely personal narrative with analytical reflection, juxtaposing anecdote with theoretical insight, dramatic text with interdisciplinary perception. The performances, ranging from folk drama to contemporary site-specific work, are seen in their relationship to their cultural and physical environment. The author's highly individual approach to academic writing provides the stamp of authenticity - integrating personal childhood memories with scholarly perception. Innovative form: It is structured as a series of excursions into the landscape, with a large number of personal photographs, reminiscent of the elegiac style of W. G. Sebald's creative writing. Readers have seen parallels with such evocative books as Flora Thompson's "Lark Rise to Candleford" and Jacquetta Hawkes's "A Land."