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出版者:Quayside Pub Group

作者:Bhaskaran, Lakshmi

出品人:

页数:256

译者:

出版时间:

价格:132.00元

装帧:HRD

isbn号码:9782880468163

丛书系列:

图书标签:

• 设计
• 英文版
• 世界现代设计图史
• designthinking
• 设计史
• 装饰艺术
• 维多利亚时期
• 工艺美术运动
• 19世纪设计
• 风格演变
• 文化研究
• 艺术史
• 社会历史
• 视觉文化

Designs of the Times In the ever-evolving tapestry of human creativity, certain creations stand as enduring testaments to the spirit of their age. They are not merely objects or structures, but reflections of our aspirations, our innovations, and our collective understanding of the world around us. "Designs of the Times" delves into this fascinating intersection of form and function, exploring how the prevailing currents of thought, technology, and societal values shape the very artifacts we bring into existence. This comprehensive exploration moves beyond mere aesthetics, seeking to uncover the underlying principles that guide design across a diverse spectrum of disciplines. We will journey through the pivotal movements and influential figures that have left an indelible mark on our visual and material culture. From the revolutionary simplicity of mid-century modernism that sought to bring order and accessibility to post-war life, to the intricate craftsmanship of the Arts and Crafts movement which championed a return to artisanal skill in the face of industrialization, each era offers a unique lens through which to understand the forces at play. The book investigates the profound impact of technological advancements on design. Consider the advent of new materials, such as the mass production of steel or the development of advanced polymers. How did these breakthroughs liberate designers from previous constraints, enabling previously unimagined forms and functionalities? Conversely, how did emerging technologies, from the printing press to the digital revolution, alter the very processes of creation, dissemination, and consumption of designed objects? "Designs of the Times" examines these symbiotic relationships, illustrating how innovation often fuels aesthetic evolution and vice versa. Furthermore, the societal context in which designs emerge is a crucial element. What were the prevailing social and economic conditions that fostered the sleek, optimistic lines of Art Deco, or the pragmatic, utilitarian designs born from periods of austerity? We will explore how design can serve as a tool for social change, whether through advocating for sustainability, promoting inclusivity, or challenging established norms. The book also considers how design, in turn, influences societal perceptions and behaviors, shaping our daily experiences in subtle yet significant ways. "Designs of the Times" is structured to provide a rich and nuanced understanding of design's historical trajectory. Each chapter, dedicated to a specific era or thematic exploration, will present a curated selection of case studies that exemplify the dominant design philosophies of the period. These case studies will not be limited to a single domain. We will draw examples from architecture that reshapes our urban landscapes, industrial design that defines the tools and technologies of our lives, graphic design that communicates ideas and identities, fashion that expresses personal and collective narratives, and even the often-overlooked design of everyday objects that enhance our domestic environments. Through detailed analysis, accompanied by compelling visual documentation, the reader will gain insight into the challenges faced by designers, the materials they employed, the production methods they utilized, and the audiences they aimed to reach. The narrative will highlight the iterative nature of design, demonstrating how past innovations inform present endeavors and how the seeds of future trends are often sown in the designs of today. This is not merely a chronological survey. "Designs of the Times" seeks to foster critical thinking about the purpose and power of design. It encourages readers to look beyond the surface of a product or structure and to question the decisions, intentions, and historical forces that led to its creation. By understanding the "why" behind the "what," we can better appreciate the profound impact design has on our lives and develop a more informed perspective on the objects and environments we interact with daily. Whether you are a seasoned design enthusiast, a student of history, or simply someone curious about the world around you, "Designs of the Times" offers an illuminating journey into the heart of human ingenuity and its enduring legacy.

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我必须承认，我当初拿起这本书时，是带着一丝怀疑的，毕竟市面上关于“时代设计”的书籍太多了，大多都是肤浅的图集翻版。但这本书，它提供了一种全新的叙事角度——它仿佛不是在描述设计本身，而是在描绘设计背后的“时代精神”。作者的笔触非常富有文学性，行文节奏抑扬顿挫，充满了对那些被时间洪流冲刷掉的微小趋势的敏感捕捉。我特别喜欢其中探讨“材料的伦理”那一章节，它没有简单地罗列新型环保材料，而是将材料的选择与消费主义的周期性进行了哲学层面的对话。那种深沉的反思，让人在欣赏精美图片之余，不得不停下来思考：我们今天所创造的一切，将如何被下一代解读？这种超越技术层面的人文关怀，让这本书的厚度瞬间提升了一个档次。它更像是一部设计史的散文诗，充满了对人类创造力的赞美，也夹杂着对过度设计的一种温柔批判。对于那些追求设计深度而非广度的读者来说，这本书绝对是不可多得的珍品。

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这本书简直就是一场视觉盛宴，尤其是对那些对现代室内设计思潮有着浓厚兴趣的人来说，简直是爱不释手。它不像那些枯燥的教科书那样堆砌理论，而是像一位经验丰富的设计师在和你面对面交流，娓娓道来过去十年间设计美学是如何一步步演变的。我尤其欣赏作者对“功能与形式的辩证关系”这一核心命题的深入探讨。书中展示了大量来自不同国家、不同文化背景下的案例，从极简主义的回归自然，到后现代主义的色彩张力，每一个转折点都被细腻地捕捉了下来。比如，有一章专门分析了智能家居技术如何悄无声息地重塑了客厅的布局，那种对未来生活场景的精准预判，让人不得不佩服作者的洞察力。更难能可贵的是，它没有停留在“展示漂亮图片”的层面，而是深入挖掘了驱动这些设计变革背后的社会经济因素。读完之后，我感觉自己对“什么是好的设计”有了一个全新的、更立体的理解，它不再仅仅关乎美观，更关乎人性、科技与可持续性的完美平衡。这本书无疑是我近年来阅读过的最富启发性的设计类书籍之一，强烈推荐给所有在设计领域深耕或刚刚入门的朋友们。

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说实话，这本书读起来有一种酣畅淋漓的感觉，它没有故作高深，也没有故作通俗，恰到好处地把握了专业性和可读性之间的微妙平衡。我最欣赏的是它在讨论新兴技术应用时的那种“务实”态度。比如，当谈到3D打印和定制化生产如何颠覆传统家具制造流程时，作者并没有沉浸在技术的炫酷中，而是立刻转向探讨这对设计师的技能树提出了哪些新的要求，以及如何应对由此带来的供应链的变革。这种始终脚踏实地的分析，让这本书的指导意义远超一般的设计赏析读物。此外，书中穿插的一些对顶尖设计师的深度访谈片段，非常真实地还原了他们在创作瓶颈期是如何突破困境的，这些“幕后故事”比任何理论介绍都更具有感染力。它让我明白，设计工作绝非一蹴而就的灵感爆发，而是一个充满试错与坚持的漫长过程。对于那些在职业生涯中感到迷茫的设计师们，这本书无疑是一剂强心针。

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这本书的编排简直是教科书级别的典范，结构清晰得令人发指，但丝毫没有削弱其内容的趣味性。我最欣赏的一点是它对“区域性差异”的细致区分。很多设计书籍要么只关注欧美主流，要么泛泛而谈全球趋势，但这本书却花了大量篇幅去解析亚洲新兴市场和南美洲的本土设计语言是如何对抗全球化同质化的。例如，它对比了北欧的“Hygge”美学与日本的“Wabi-sabi”哲学，并展示了它们在当代商业空间设计中的交汇与融合，这种细致入微的比较分析，让我对全球设计格局有了更清晰的认识。插图的质量毋庸置疑，每一张图片都像是精心挑选的艺术品，而且图片下的注释极富信息量，往往能补充说明设计背后的历史背景或技术挑战。对于我这种需要经常做国际项目提案的专业人士来说，这本书提供的跨文化设计语汇参考价值极高，是案头必备的“灵感宝库”。

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这本书的排版和装帧本身就是对“时代设计”理念的一种实践，拿在手里就能感受到纸张的质感和印刷的精度，这本身就是一种沉浸式的体验。在内容上，它最让我印象深刻的是对“可持续性”这一主题的深度挖掘，它并不是把它当作一个时髦的标签来敷衍了事，而是将其视为整个设计范式转变的核心驱动力。书中有一段对“零浪费设计”运动的详细介绍，不仅展示了创新的回收材料应用，还深入探讨了设计者在产品生命周期结束阶段所应承担的责任。这种前瞻性的思维，让我对未来十年设计行业的发展方向有了一个非常坚定的判断。我尤其喜欢它在结尾部分对“未来的不确定性”所做的开放性探讨，作者没有给出任何武断的结论，而是鼓励读者自己去探索和定义未来的美学。这本书给我带来的不仅仅是知识，更是一种积极应对时代变化的勇气和对设计职业的更高期许。

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我靠，一千多的书，借过来的瞬间，被我摔了一个角

评分☆☆☆☆☆

我靠，一千多的书，借过来的瞬间，被我摔了一个角

评分☆☆☆☆☆

我靠，一千多的书，借过来的瞬间，被我摔了一个角

评分☆☆☆☆☆

我靠，一千多的书，借过来的瞬间，被我摔了一个角

评分☆☆☆☆☆

我靠，一千多的书，借过来的瞬间，被我摔了一个角