The Villa dei Papiri at Herculaneum buried during the eruption of Mt. Vesuvius in A.D. 79, then rediscovered in 1750 contained a large collection of bronze and marble statuary and busts. Before they were published or exhibited, the sculptures were restored so as to appear whole: it is thus that they helped to shape early modern tastes in classical sculpture. Scholars have sought to assign names to the individual busts and statues and to discover a unified, planned sculptural program for the decoration of the Villa dei Papiri. Here, however, more objective questions are asked: Are the bronzes uniform enough in production technique and alloy or marble source to justify the notion of a single sculptural program? Did the owner of the Villa purchase the statues from one or from several sources?
具体描述
读后感
评分
评分
评分
评分
用户评价
相关图书
本站所有内容均为互联网搜索引擎提供的公开搜索信息，本站不存储任何数据与内容，任何内容与数据均与本站无关，如有需要请联系相关搜索引擎包括但不限于百度，google,bing,sogou 等
© 2025 book.wenda123.org All Rights Reserved. 图书目录大全 版权所有