Mary D. Garrard, author of the acclaimed Artemisia Gentileschi, furthers her study of the seventeenth-century artist in this groundbreaking investigation of two little-known paintings. Taking as case studies the Seville Mary Magdalene and the Burghley House Susanna and the Elders, paintings of circa 1621-22 attributed to Artemisia, Garrard examines the ways that identity, gender, and market pressures interact both in the artist's work and in the criticism and connoisseurship that have surrounded it.
具体描述
读后感
评分
评分
评分
评分
用户评价
assigned by the professor for the final book review, the only book that I finished on art history...
评分assigned by the professor for the final book review, the only book that I finished on art history...
评分assigned by the professor for the final book review, the only book that I finished on art history...
评分assigned by the professor for the final book review, the only book that I finished on art history...
评分assigned by the professor for the final book review, the only book that I finished on art history...
相关图书
本站所有内容均为互联网搜索引擎提供的公开搜索信息，本站不存储任何数据与内容，任何内容与数据均与本站无关，如有需要请联系相关搜索引擎包括但不限于百度，google,bing,sogou 等
© 2025 book.wenda123.org All Rights Reserved. 图书目录大全 版权所有