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Low and High Style in Italian Renaissance Art (Garland Reference Library of the Humanities) 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024

Low and High Style in Italian Renaissance Art (Garland Reference Library of the Humanities)
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Patricia Emison 作者
Routledge
譯者
1997-10-01 出版日期
288 頁數
USD 120.00 價格
Hardcover
叢書系列
9780815325307 圖書編碼

Low and High Style in Italian Renaissance Art (Garland Reference Library of the Humanities) 在線電子書 圖書標籤: 藝術  藝術史   

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Low and High Style in Italian Renaissance Art (Garland Reference Library of the Humanities) 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Low and High Style in Italian Renaissance Art (Garland Reference Library of the Humanities) 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Low and High Style in Italian Renaissance Art (Garland Reference Library of the Humanities) 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024


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Low and High Style in Italian Renaissance Art (Garland Reference Library of the Humanities) 在線電子書 著者簡介

Low and High Style in Italian Renaissance Art (Garland Reference Library of the Humanities) 在線電子書 著者簡介

Low and High Style in Italian Renaissance Art (Garland Reference Library of the Humanities) 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Low and High Style in Italian Renaissance Art (Garland Reference Library of the Humanities) 在線電子書 圖書描述

During the later 15th and in the 16th centuries pictures began to be made without action, without place for heroism, pictures more rueful than celebratory. In part, Renaissance art adjusted to the social and economic pressures with an art we may be hard pressed to recognize under that same rubric-an art not so much of perfected nature as simply artless. Granted, the heroic and epic mode of the Renaissance was that practiced most self-consciously and proudly. Yet it is one of the accomplishments of Renaissance art that heroic and epic subjects and style occasionally made way for less affirmative subjects and compositional norms, for improvisation away from the Vitruvian ideal. The limits of idealizing art, during the very period denominated as High Renaissance, is a topic that involves us in the history of class prejudice, of gender stereotypes, of the conceptualization of the present, of attitudes toward the ordinary, and of scruples about the power of sight

Exploring the low style leads us particularly to works of art intended for display in private settings as personally owned objects, potentially as signs of quite personal emotions rather than as subscriptions to publicly vaunted ideologies. Not all of them show shepherds or peasants; none of them-not even Giorgione's "La tempesta"-is a classic pastoral idyll. The"rosso stile" is to be understood as more comprehensive than that. The issue is not only who is represented, but whether the work can or cannot be fit into the mold of a basically affirmative art.

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