Critical Readings in Impressionism and Post-Impressionism 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024


Critical Readings in Impressionism and Post-Impressionism

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Lewis, Mary Tompkins 编 作者
University of California Press
译者
2007-3-15 出版日期
358 页数
USD 45.95 价格
Paperback
丛书系列
9780520250222 图书编码

Critical Readings in Impressionism and Post-Impressionism 在线电子书 图书标签: 艺术史  外国文学  ArtHistory  Art   


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Critical Readings in Impressionism and Post-Impressionism 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Critical Readings in Impressionism and Post-Impressionism 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Critical Readings in Impressionism and Post-Impressionism 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024



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Landscapes of Modernity# 现代化的旅行都变的傲娇起来了呢。

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Landscapes of Modernity# 现代化的旅行都变的傲娇起来了呢。

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Landscapes of Modernity# 现代化的旅行都变的傲娇起来了呢。

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Critical Readings in Impressionism and Post-Impressionism 在线电子书 图书描述

The essays in this wide-ranging, beautifully illustrated volume capture the theoretical range and scholarly rigor of recent criticism that has fundamentally transformed the study of French Impressionist and Post-Impressionist art. Readers are invited to consider the profound issues and penetrating questions that lie beneath this perennially popular body of work as the contributors examine the art world of late nineteenth-century France - including detailed looks at Monet, Manet, Pissarro, Degas, Cezanne, Morisot, Seurat, Van Gogh, and Gauguin. The authors offer fascinating new perspectives, placing the artworks from this period in wider social and historical contexts. They explore these painters' pictorial and market strategies, the critical reception and modern criteria the paintings engendered, and the movement's historic role in the formation of an avant-garde tradition. Their research reflects the wealth of new documents, critical approaches, and scholarly exhibitions that have fundamentally altered our understanding of Impressionism and Post-Impressionism. These essays, several of which have previously been familiar only to scholars, provide instructive models of in-depth critical analysis and of the competing art historical methods that have crucially reshaped the field. Contributors of this title include: Carol Armstrong, T. J. Clark, Stephen F. Eisenman, Tamar Garb, Nicholas Green, Robert L. Herbert, John House, Mary Tompkins Lewis, Michel Melot, Linda Nochlin, Richard Shiff, Debora Silverman, Paul Tucker, and Martha Ward.

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