The city is one of the greatest unsung heroes in cinema -- a modernist inspiration for silent classics such as Metropolis (1926) and a dense urban jungle in The Matrix (1999) -- yet there have been few attempts to grasp the cultural and aesthetic nature of its role in film. This volume is an ambitious collection of writings and photo-essays discussing this complex yet enduring relationship, and how early cinema, digital technology and changing urban geographies have all impacted upon notions and representations of the modern city. Amongst the films discussed are Peeping Tom (1960), Performance (1970), Sans Soleil (1983) and Amores perros (2000). Contributions come from the fields of film studies, cultural theory, architecture and design, as well as filmmakers Patrick Keiller and Chris Petit.
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老师的书
评分这本选集真的不错！相比10年前的各种大题目，这本已经细化了研究目标，然后拓宽了电影－建筑研究的range到哲学、文学、语言学、地理学、拓扑学……当然还是Bruno的概念群最醒目。
评分这本选集真的不错！相比10年前的各种大题目，这本已经细化了研究目标，然后拓宽了电影－建筑研究的range到哲学、文学、语言学、地理学、拓扑学……当然还是Bruno的概念群最醒目。
评分老师的书
评分老师的书
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