芭芭拉·艾伦瑞克（Barbara Ehrenreich），美国畅销书女作家。

1941年生，洛克菲勒大学细胞生物学博士，女性主义者、民主社会主义者和政治活动家。专栏作家，作品常出现在《哈泼》《国家》《新共和》等重要刊物中。

她出身底层，父亲是矿工，前夫是卡车司机，因此特 别 关注美国底层社会的生活。至今已出版21本著作，代表作有《纽约时报》畅销榜作品《M型社会白领的新试炼》《街头的狂欢》《我在底层的生活》《失控的正向思考》等。

Detroit in the 1960s was a city with a pulse: people were marching in step with Martin Luther King, Jr., dancing in the street with Martha and the Vandellas, and facing off with city police. Through it all, Motown provided the beat. This book tells the story of Motown--as both musical style and entrepreneurial phenomenon--and of its intrinsic relationship to the politics and culture of Motor Town, USA.

As Suzanne Smith traces the evolution of Motown from a small record company firmly rooted in Detroit's black community to an international music industry giant, she gives us a clear look at cultural politics at the grassroots level. Here we see Motown's music not as the mere soundtrack for its historical moment but as an active agent in the politics of the time. In this story, Motown Records had a distinct role to play in the city's black community as that community articulated and promoted its own social, cultural, and political agendas. Smith shows how these local agendas, which reflected the unique concerns of African Americans living in the urban North, both responded to and reconfigured the national civil rights campaign.

Against a background of events on the national scene--featuring Martin Luther King, Jr., Langston Hughes, Nat King Cole, and Malcolm X--Dancing in the Street presents a vivid picture of the civil rights movement in Detroit, with Motown at its heart. This is a lively and vital history. It's peopled with a host of major and minor figures in black politics, culture, and the arts, and full of the passions of a momentous era. It offers a critical new perspective on the role of popular culture in the process of political change.