Dancing in the Street pdf epub mobi txt 电子书 下载 2025
芭芭拉·艾伦瑞克（Barbara Ehrenreich），美国畅销书女作家。
1941年生，洛克菲勒大学细胞生物学博士，女性主义者、民主社会主义者和政治活动家。专栏作家，作品常出现在《哈泼》《国家》《新共和》等重要刊物中。
她出身底层，父亲是矿工，前夫是卡车司机，因此特 别 关注美国底层社会的生活。至今已出版21本著作，代表作有《纽约时报》畅销榜作品《M型社会白领的新试炼》《街头的狂欢》《我在底层的生活》《失控的正向思考》等。
- 美國---United_States
- 流行文化研究
- 文化史
- ^佛光輝
- Suzanne_Smith
- Musicology
- Music-History
- Music
Detroit in the 1960s was a city with a pulse: people were marching in step with Martin Luther King, Jr., dancing in the street with Martha and the Vandellas, and facing off with city police. Through it all, Motown provided the beat. This book tells the story of Motown--as both musical style and entrepreneurial phenomenon--and of its intrinsic relationship to the politics and culture of Motor Town, USA.
As Suzanne Smith traces the evolution of Motown from a small record company firmly rooted in Detroit's black community to an international music industry giant, she gives us a clear look at cultural politics at the grassroots level. Here we see Motown's music not as the mere soundtrack for its historical moment but as an active agent in the politics of the time. In this story, Motown Records had a distinct role to play in the city's black community as that community articulated and promoted its own social, cultural, and political agendas. Smith shows how these local agendas, which reflected the unique concerns of African Americans living in the urban North, both responded to and reconfigured the national civil rights campaign.
Against a background of events on the national scene--featuring Martin Luther King, Jr., Langston Hughes, Nat King Cole, and Malcolm X--Dancing in the Street presents a vivid picture of the civil rights movement in Detroit, with Motown at its heart. This is a lively and vital history. It's peopled with a host of major and minor figures in black politics, culture, and the arts, and full of the passions of a momentous era. It offers a critical new perspective on the role of popular culture in the process of political change.
具体描述
读后感
心理学家太讨厌了。他们区别正常人和不正常人之间区别的标志之一就是那个人是否拥有“自我”。弗洛伊德更讨厌，他觉得光“自我”这个定义还不够，又加了“超我”和“本我”，这三者之间的区别是，“本我”一天到晚想着饮食男女，“超我”认为还有更重要的事情比如道德、比如理...
评分 评分 评分用户评价
又一佛光輝贈之。
评分a good survey of the history of Detroit in relation to Motown.
评分a good survey of the history of Detroit in relation to Motown.
评分又一佛光輝贈之。
评分又一佛光輝贈之。
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