This book analyzes the methods, effects, and mechanisms by which international relations reach the US citizen. Deftly dissecting the interrelationships of national identity formation, corporate 'news and opinion' dissemination, and the quasi-academic apparatus of war justification - focusing on the Bush administration's exploitation of the fear and insecurity caused by 9/11 and how this has manifested itself in the US media (especially the tabloid populist media). Debrix explains how all serve to defend and produce state power and develops a model of tabloidized international relations, where responses are both organized by, and supportive of, a strong centralized US government. The field of International Relations sorely needs such analytics, in so far as it explains how people in their everyday lives relate to transnational issues. Tabloid Terror critically covers a wide variety of US popular culture from the Internet to Fox News; analyzes diverse authors as Julia Kristeva, J.G. Ballard and Robert Kaplan and takes into account renowned international relations interlocutors as Don Imus, Bill O'Reilly, and Tommy Franks.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
從public media看geopolitical narrative的形成，其中引用abjection的部分最為精彩，但是總體tabloid的定義並不清晰，對於people本身的過度概括也令人感覺心生懷疑，哎。
评分從public media看geopolitical narrative的形成，其中引用abjection的部分最為精彩，但是總體tabloid的定義並不清晰，對於people本身的過度概括也令人感覺心生懷疑，哎。
评分從public media看geopolitical narrative的形成，其中引用abjection的部分最為精彩，但是總體tabloid的定義並不清晰，對於people本身的過度概括也令人感覺心生懷疑，哎。
评分從public media看geopolitical narrative的形成，其中引用abjection的部分最為精彩，但是總體tabloid的定義並不清晰，對於people本身的過度概括也令人感覺心生懷疑，哎。
评分從public media看geopolitical narrative的形成，其中引用abjection的部分最為精彩，但是總體tabloid的定義並不清晰，對於people本身的過度概括也令人感覺心生懷疑，哎。
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