Desiring China

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Lisa Rofel is an American anthropologist, specialising in feminist anthropology and gender studies. She received a B.A. from Brown University, followed by an M.A. and Ph.D. from Stanford University, and is currently a professor at the University of California, Santa Cruz. Rofel's publications include Desiring China: Experiments in Neoliberalism, Sexuality, and Public Culture, and Other Modernities: Gendered Yearnings in China after Socialism.

出版者:Duke University Press Books
作者:Lisa Rofel
出品人:
页数:264
译者:
出版时间:2007-5-10
价格:USD 84.95
装帧:Hardcover
isbn号码:9780822339359
丛书系列:
图书标签:
  • 海外中国研究 
  • 人类学 
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Through window displays, newspapers, soap operas, gay bars, and other public culture venues, Chinese citizens are negotiating what it means to be cosmopolitan citizens of the world, with appropriate needs, aspirations, and longings. Lisa Rofel argues that the creation of such “desiring subjects” is at the core of China’s contingent, piece-by-piece reconfiguration of its relationship to a post-socialist world. In a study at once ethnographic, historical, and theoretical, she contends that neoliberal subjectivities are created through the production of various desires—material, sexual, and affective—and that it is largely through their engagements with public culture that people in China are imagining and practicing appropriate desires for the post-Mao era.Drawing on her research over the past two decades among urban residents and rural migrants in Hangzhou and Beijing, Rofel analyzes the meanings that individuals attach to various public cultural phenomena and what their interpretations say about their understandings of post-socialist China and their roles within it. She locates the first broad-based public debate about post-Mao social changes in the passionate dialogues about the popular 1991 television soap opera Yearnings. She describes how the emergence of gay identities and practices in China reveals connections to a transnational network of lesbians and gay men at the same time that it brings urban/rural and class divisions to the fore. The 1999–2001 negotiations over China’s entry into the World Trade Organization; a controversial women’s museum; the ways that young single women portray their longings in relation to the privations they imagine their mothers experienced; adjudications of the limits of self-interest in court cases related to homoerotic desire, intellectual property, and consumer fraud—Rofel reveals all of these as sites where desiring subjects come into being.

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开篇理论处于新自由主义之图景非常深入,但是在后殖民话语的研究上欠一把火,历史讨论到毛时代就戛然而止,而忽略了自晚晴以降的后殖民自我贬低在现代中国个体主体性形成上的后记忆 - 电影,音乐,小说 - 里的鲁迅式自我反讽的翻转。所以对于这一点,并没有很深刻讨论,将后社...  

评分

开篇理论处于新自由主义之图景非常深入,但是在后殖民话语的研究上欠一把火,历史讨论到毛时代就戛然而止,而忽略了自晚晴以降的后殖民自我贬低在现代中国个体主体性形成上的后记忆 - 电影,音乐,小说 - 里的鲁迅式自我反讽的翻转。所以对于这一点,并没有很深刻讨论,将后社...  

评分

开篇理论处于新自由主义之图景非常深入,但是在后殖民话语的研究上欠一把火,历史讨论到毛时代就戛然而止,而忽略了自晚晴以降的后殖民自我贬低在现代中国个体主体性形成上的后记忆 - 电影,音乐,小说 - 里的鲁迅式自我反讽的翻转。所以对于这一点,并没有很深刻讨论,将后社...  

评分

开篇理论处于新自由主义之图景非常深入,但是在后殖民话语的研究上欠一把火,历史讨论到毛时代就戛然而止,而忽略了自晚晴以降的后殖民自我贬低在现代中国个体主体性形成上的后记忆 - 电影,音乐,小说 - 里的鲁迅式自我反讽的翻转。所以对于这一点,并没有很深刻讨论,将后社...  

评分

开篇理论处于新自由主义之图景非常深入,但是在后殖民话语的研究上欠一把火,历史讨论到毛时代就戛然而止,而忽略了自晚晴以降的后殖民自我贬低在现代中国个体主体性形成上的后记忆 - 电影,音乐,小说 - 里的鲁迅式自我反讽的翻转。所以对于这一点,并没有很深刻讨论,将后社...  

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