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"Museum Frictions" is the third volume in a bestselling series on culture, society, and museums. The first two volumes in the series, "Exhibiting Cultures" and "Museums and Communities", have become defining books for those interested in the politics of museum display and heritage sites. Another classic in the making, "Museum Frictions" is a lavishly illustrated examination of the significant and varied effects of the increasingly globalized world on contemporary museum, heritage, and exhibition practices. The contributors - scholars, artists, and curators - present case studies drawn from Africa, Australia, North and South America, Europe, and Asia. Together, they offer a multifaceted analysis of the complex roles that national and community museums, museums of art and history, monuments, heritage sites, and theme parks play in creating public cultures. Whether contrasting the transformation of Africa's oldest museum, the South Africa Museum, with one of its newest, the Lwandle Migrant Labor Museum; offering an interpretation of the audio guide at the Guggenheim Bilbao; reflecting on the relative paucity of art museums in Peru and Cambodia; considering representations of slavery in the United States and Ghana; or meditating on the ramifications of an exhibition of Australian aboriginal art at the Asia Society in New York City, the contributors highlight the frictions, contradictions, and collaborations emerging in museums and heritage sites around the world. The volume opens with an extensive introductory essay by Ivan Karp and Corinne A. Kratz, leading scholars in museum and heritage studies.

Ivan Karp is National Endowment for the Humanities Professor and Co-Director of the Center for the Study of Public Scholarship at Emory University. He has coedited numerous books, including Museums and Communities: The Politics of Public Culture and Exhibiting Cultures: The Poetics and Politics of Museum Display.

Corinne A. Kratz is Professor of Anthropology and African Studies and Co-Director of the Center for the Study of Public Scholarship at Emory University. She is the author of The Ones That Are Wanted: Communication and the Politics of Representation in a Photographic Exhibition.

Lynn Szwaja is Program Director for Theology at the Henry Luce Foundation.

Tomás Ybarra-Frausto was, until retirement in 2005, Associate Director for Creativity and Culture at the Rockefeller Foundation. In 1998, he was awarded the Joseph Henry Medal for “exemplary contributions to the Smithsonian Institution.”

Foreword / Lynn Szwaja and Tomás Ybarra-Frausto xi
Preface: Museum Frictions: A Project History / Ivan Karp and Corinne A. Kratz xv
Introduction: Museum Frictions: Public Cultures/Global Transformations / Corinne A. Kratz and Ivan Karp 1
Part 1. Exhibitionary Complexes
Exhibitionary Complexes / Barbara Kirshenblatt-Gimblett 35
Exhibition, Difference, and the Logic of Culture / Tony Bennett 46
The Reappearance of the Authentic / Martin Hall 70
Document: 5:29:24 AM / Joseph Masco 102
Transforming Museums on Postapartheid Tourist Routes / Leslie Witz 107
Isn't This a Wonderful Place? (A Tour of a Tour of the Guggenheim Bilbao) / Andrea Fraser 135
World Heritage and Cultural Economics / Barbara Kirshenblatt-Gimblett 161
Document: The U.S. Department of Retro, The Onion 203
Part 2. Tactical Museologies
Tactical Museologies / Gustavo Buntinx and Ivan Karp 207
Communities of Sense/Communities of Sentiment: Globalization and the Museum Void in an Extreme Periphery / Gustavo Buntinx 219
Document: Declaration on the Importance and Value of Universal Museums 247
Document: Art Museums and the International Exchange of Cultural Artifacts, Association of Art Museum Directors 250
Document: Museo Salinas: A Proactive Space Within the Legal Frame, Some Words from the Director, Vicente Razo 253
Musings on Museums from Phnom Penh / Ingrid Muan 257
Community Museums, Memory Politics, and Social Transformation in South Africa: Histories, Possibilities, and Limits / Ciraj Rassool 286
Community Museums and Global Connections: The Union of Community Museums in Oaxaca / Cuauhtémoc Camarena and Teresa Morales 322
Part 3. Remapping the Museum
Remapping the Museum / Corinne A. Kratz and Ciraj Rassool 347
The Museum Outdoors: Heritage, Cattle, and Permeable Borders in the Southwestern Kruger National Park / David Bunn 357
Document: Baghdad Lions to Be Relocated to South Africa 392
Revisiting the Old Plantation: Reparations, Reconciliation, and Museumizing American Slavery / Fath Davis Ruffins 394
Shared Heritage, Contested Terrain: Cultural Negotiation and Ghana's Cape Coast Castle Museum Exhibition "Crossroads of People, Crossroads of Trade" / Christine Mullen Kreamer 435
Sites of Persuasion: Yingapungapu at the National Museum of Australia / Howard Morphy 469
Document: Destroying While Preserving Junkanoo: The Junkanoo Museum in the Bahamas / Krista A. Thompson 500
The Complicity of Cultural Production: The Contingencies of Performance in Globalizing Museum Practices / Fred Myers 504
Bibliography 537
Contributors 577
Index 583
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