When The Cinema, or The Imaginary Man first appeared in 1956, the movies and the moviegoing experience were generally not regarded as worthy of serious scholarly consideration. Yet, French critic and social theorist Edgar Morin perceived in the cinema a complex phenomenon capable of illuminating fundamental truths about thought, imagination, and human nature - which allowed him to connect the mythic universe of gods and spirits present within the most primitive societies to the hyperreality emanating from the images projected on the screen. Now making its English-language debut, this audacious, provocative work draws on insights from poets, filmmakers, anthropologists, and philosophers to restore to the cinema the sense of magic first enjoyed at the dawn of the medium. Morin's inquiry follows two veins of investigation. The first focuses on the cinematic image as the nexus between the real and the imaginary; the second examines the cinema's re-creation of the archaic universe of doubles and ghosts and its power to possess, to bewitch, to nourish dreams, desires, and aspirations. "We experience the cinema in a state of double consciousness," Morin writes, "an astonishing phenomenon where the illusion of reality is inseparable from the awareness that it is really an illusion."
具体描述
读后感
评分
评分
评分
评分
用户评价
a little descriptive, but insightful at times
评分a little descriptive, but insightful at times
评分前三分之二挺有意思，理论的提出、综合、分析、辩证都很到位，语言也很有文学性，但是从第六章开始就变本加厉地啰里巴嗦绕来绕去。。。可以好好讲话吗ತ_ʖತ
评分前三分之二挺有意思，理论的提出、综合、分析、辩证都很到位，语言也很有文学性，但是从第六章开始就变本加厉地啰里巴嗦绕来绕去。。。可以好好讲话吗ತ_ʖತ
评分前三分之二挺有意思，理论的提出、综合、分析、辩证都很到位，语言也很有文学性，但是从第六章开始就变本加厉地啰里巴嗦绕来绕去。。。可以好好讲话吗ತ_ʖತ
相关图书
本站所有内容均为互联网搜索引擎提供的公开搜索信息，本站不存储任何数据与内容，任何内容与数据均与本站无关，如有需要请联系相关搜索引擎包括但不限于百度，google,bing,sogou 等
© 2025 book.wenda123.org All Rights Reserved. 图书目录大全 版权所有