The Cinema, or The Imaginary Man 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024


The Cinema, or The Imaginary Man

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Edgar Morin 作者
Univ Of Minnesota Press
Lorraine Mortimer 译者
2005-6-1 出版日期
336 页数
USD 19.95 价格
Paperback
丛书系列
9780816640386 图书编码

The Cinema, or The Imaginary Man 在线电子书 图书标签: 电影理论  摄影理论  film_theory  Edgar_Morin   


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The Cinema, or The Imaginary Man 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

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The Cinema, or The Imaginary Man 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024



The Cinema, or The Imaginary Man 在线电子书 用户评价

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a little descriptive, but insightful at times

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前三分之二挺有意思,理论的提出、综合、分析、辩证都很到位,语言也很有文学性,但是从第六章开始就变本加厉地啰里巴嗦绕来绕去。。。可以好好讲话吗ತ_ʖತ

评分

前三分之二挺有意思,理论的提出、综合、分析、辩证都很到位,语言也很有文学性,但是从第六章开始就变本加厉地啰里巴嗦绕来绕去。。。可以好好讲话吗ತ_ʖತ

评分

a little descriptive, but insightful at times

评分

a little descriptive, but insightful at times

The Cinema, or The Imaginary Man 在线电子书 著者简介


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The Cinema, or The Imaginary Man 在线电子书 pdf 下载 txt下载 epub 下载 mobi 在线电子书下载

The Cinema, or The Imaginary Man 在线电子书 图书描述

When The Cinema, or The Imaginary Man first appeared in 1956, the movies and the moviegoing experience were generally not regarded as worthy of serious scholarly consideration. Yet, French critic and social theorist Edgar Morin perceived in the cinema a complex phenomenon capable of illuminating fundamental truths about thought, imagination, and human nature - which allowed him to connect the mythic universe of gods and spirits present within the most primitive societies to the hyperreality emanating from the images projected on the screen. Now making its English-language debut, this audacious, provocative work draws on insights from poets, filmmakers, anthropologists, and philosophers to restore to the cinema the sense of magic first enjoyed at the dawn of the medium. Morin's inquiry follows two veins of investigation. The first focuses on the cinematic image as the nexus between the real and the imaginary; the second examines the cinema's re-creation of the archaic universe of doubles and ghosts and its power to possess, to bewitch, to nourish dreams, desires, and aspirations. "We experience the cinema in a state of double consciousness," Morin writes, "an astonishing phenomenon where the illusion of reality is inseparable from the awareness that it is really an illusion."

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