'Immersing himself in the whirling uncertainty of late modernity, confronting its odd deformities of essentialism and exclusion, Jock Young has produced a comprehensive account of contemporary trouble, anxiety, and transgression. If this is criminology-and it's surely criminology of the best sort-it is a criminology able to account not just for crime and inequality, but for the cultural and the economic, for the existential and the ontological as well. Perhaps most importantly, it is a criminology designed to discover in these intersecting social dynamics real possibilities for critique, hope, and human transformation. Jock Young's The Vertigo of Late Modernity is a work of sweeping-dare I say, dizzying-intellect and imagination.' - Professor Jeff Ferrell, Texas Christian University, USA, and University of Kent, UK 'This is precisely what readers would expect from the author of two instant classics: a book that is bound to become the third. As in his habit, Jock Young launches a frontal attack on the 'commonsense' of social studies and its tacit assumptions - as common as they are misleading.Futility of the 'inclusion vs exclusion', 'contented vs insecure', or indeed 'normal vs deviant' oppositions in the globalised and mediatized world is exposed and the subtle yet thorough interpenetration of cultures and porosity of boundaries demonstrated beyond reasonable doubt. The newly coined analytical categories, like chaos of rewards and chaos of identity, existential vertigo, bulimic society or conservative vs liberal modes of othering are bound to become an indispensable part of social scientific vernacular - and let's hope that they will, for the sanity and relevance of the social sciences' sake' - Zygmunt Bauman, Emeritus Professor of Sociology, University of Leeds 'Jock Young is one of the great figures in the history of criminology. In this book he prises open paradoxes of identity in late modernity. We experience an emphasis on individualism in an era when shallow soil forms a foundation for self-development. Young deftly analyses shifts in conditions of work and consumption and the insecurities they engender.This is a perceptive reformulation of job, family and community in late modernity' - Professor John Braithwaite, Australian National University The Vertigo of Late Modernity is a seminal new work by Jock Young, author of the bestselling and highly influential book, The Exclusive Society. In his new work Young describes the sources of late modern vertigo as twofold: insecurities of status and of economic position. He explores the notion of an underclass and its detachment from the class structure. The book engages with the ways in which modern society attempts to explain deviant behaviour - whether it be crime, terrorism or riots - in terms of motivations and desires separate and distinct from those of the 'normal'. Young critiques the process of othering whether of a liberal or conservative variety, and develops a theory of 'vertigo' to characterise a late modern world filled with inequality and division. He points toward a transformative politics which tackle problems of economic injustice and build and cherish a society of genuine diversity. This major new work engages with some of the most important issues facing society today.The Vertigo of Late Modernity is essential reading for academics and advanced students in the areas of criminology, sociology, cultural studies, anthropology and the social sciences more broadly.
从文学批评的角度来看,这本书展现出一种令人耳目一新的跨学科视野。它娴熟地引用了德勒兹的哲学概念,穿插了对某一特定时期欧洲电影美学的分析,甚至还涉及了对当代数字艺术作品的细微解读。这种知识的混杂性,非但没有造成阅读上的混乱,反而形成了一种强大的张力。作者似乎在努力构建一个能够容纳所有这些看似不相关的领域的大熔炉,试图证明我们当前所经历的“迟暮”状态,是哲学、艺术和社会结构共同作用的结果。我特别喜欢他探讨“真实性”消解时所引用的案例——那种在社交媒体滤镜下被不断重塑和美化的自我形象,被他描述成一种“自愿的麻醉”。这种洞察力,体现了作者对于当代文化景观深刻且不带偏见的观察,它迫使读者去审视自己是如何在这些复杂的文化迷宫中迷失方向的。
评分这本书的叙事节奏把握得极其巧妙,它不像传统学术著作那样刻板僵硬,反倒更像是一部由碎片化感官印象拼贴而成的意识流作品。我发现自己在阅读过程中,经常需要停下来,反复咀嚼那些精心挑选的意象——比如“被数据洪流淹没的城市霓虹”或者“在永恒的等待中耗尽的个体意志”。作者对于环境和情感的描摹达到了近乎诗意的地步,但这种诗意并非田园牧歌式的,而是充满了后工业时代的锈蚀感和疏离感。特别是当他描述都市人在午夜时分的失眠状态时,那种对时间感错乱的精准捕捉,让人不禁怀疑作者是否曾亲身潜入过这种现代性的幽暗角落。虽然有些篇章的跳跃性很大,似乎在不同的主题间横冲直撞,但正是这种不羁的结构,反而完美地契合了“眩晕”这个核心主题所暗示的那种认知上的不确定性和碎片化。
评分说实话,这本书的阅读门槛相当高,对于习惯于线性叙事和明确结论的读者来说,可能会感到有些挫败。它更像是一场智力上的攀登,每向上一步,视野都会变得更开阔,但脚下的立足点也越发稀疏。我花了很长时间才真正跟上作者的思维步伐,尤其是在那些关于技术决定论与人类能动性之间拉锯战的章节。作者似乎并不急于给出答案,而是热衷于提出更尖锐的问题。例如,他质疑道,在这样一个被算法深度定制的世界里,我们所谓的“选择自由”究竟还剩下多少实质内容?这种对核心信念的系统性拆解,让人在合上书页时,心中充满了不安的清晰感。它不是那种读完后能立刻获得“我明白了”的满足感的书,而是一种需要时间在潜意识中慢慢发酵、持续发酵,直至改变你观察世界的方式的深度体验。
评分这本书的开篇就以一种近乎哲学思辨的方式,探讨了我们在“后现代”的尾声阶段所感受到的那种难以言喻的眩晕感。作者似乎并不满足于对社会现象的简单罗列,而是深入挖掘了这种“迟暮的现代性”如何渗透到我们日常的每一个细微之处。初读之下,你会感到一种强烈的智力挑战,因为他使用的词汇和构建的逻辑链条都显得异常复杂且晦涩。这绝不是一本可以轻松翻阅的读物,它要求读者投入极大的心神去梳理那些层层叠叠的理论建构。我尤其欣赏其中关于“加速主义幻觉”的批判部分,作者犀利地指出,我们对效率和进步的无限追求,最终导向的不是解放,而是一种更深层次的异化和疲惫。那种笔触,如同冰冷的解剖刀,精准地剖开了支撑我们现代生活结构的那些看似坚固的意识形态支柱,留给读者的,是关于存在意义的深刻反思,而非轻松的慰藉。那种震撼,更接近于面对一个宏大而又失序的宇宙模型时,瞬间产生的敬畏与无助交织的情绪。
评分这本书最令人难忘的特点,也许在于其独特的“情绪共振”能力。尽管内容充满了理论思辨和宏大叙事,但通篇弥漫着一种难以名状的、略带忧郁的浪漫主义情怀。这是一种对逝去时代秩序的哀悼,对当前不确定性的深刻体察,以及对未来可能性的一种近乎绝望的期盼。作者的语气,时而像一个冷静的社会学家,在记录时代的病理变化;时而又像一个饱经沧桑的旅人,在记录自己迷失于后现代荒原的心路历程。这种多重声音的交织,使得文本充满了人情味,避免了陷入纯粹的学院派僵局。每一次阅读,都像是在和一位睿智但略显疲惫的朋友进行一场深夜的对话,彼此交换着对这个正在崩塌与重塑的世界的看法,最终留下的是一种复杂但又极其真实的生命体验感。
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