Reading the Figural, or, Philosophy after the New Media 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024


Reading the Figural, or, Philosophy after the New Media

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D. N. Rodowick 作者
Duke University Press Books
譯者
2001-8-21 出版日期
296 頁數
USD 23.95 價格
Paperback
叢書系列
9780822327226 圖書編碼

Reading the Figural, or, Philosophy after the New Media 在線電子書 圖書標籤: Cinema  電影  藝術理論  利奧塔  figural   


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Reading the Figural, or, Philosophy after the New Media 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Reading the Figural, or, Philosophy after the New Media 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Reading the Figural, or, Philosophy after the New Media 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024



Reading the Figural, or, Philosophy after the New Media 在線電子書 用戶評價

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3.5,媽的最後一章也太cliche,浪費我的時間。

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3.5,媽的最後一章也太cliche,浪費我的時間。

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3.5,媽的最後一章也太cliche,浪費我的時間。

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很神奇,當你帶著直覺在讀書的時候,書裏寫的都是你想說的。

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很神奇,當你帶著直覺在讀書的時候,書裏寫的都是你想說的。

Reading the Figural, or, Philosophy after the New Media 在線電子書 著者簡介


Reading the Figural, or, Philosophy after the New Media 在線電子書 著者簡介


Reading the Figural, or, Philosophy after the New Media 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Reading the Figural, or, Philosophy after the New Media 在線電子書 圖書描述

In "Reading the Figural, Or Philosophy after the New Media", D. N. Rodowick applies the concept of "the figural" to a variety of philosophical and aesthetic issues. Inspired by the aesthetic philosophy of Jean-Francois Lyotard, the figural defines a semiotic regime where the distinction between linguistic and plastic representation breaks down. This opposition, which has been the philosophical foundation of aesthetics since the eighteenth century, has been explicitly challenged by the new electronic, televisual, and digital media. Rodowick - one of the foremost film theorists writing today - contemplates this challenge, describing and critiquing the new regime of signs and new ways of thinking that such media have inaugurated. To fully comprehend the emergence of the figural requires a genealogical critique of the aesthetic, Rodowick claims. Seeking allies in this effort to deconstruct the opposition of word and image and to create new concepts for comprehending the figural, he journeys through a range of philosophical writings: Thierry Kuntzel and Marie-Claire Ropars-Wuilleumier on film theory; Jacques Derrida on the deconstruction of the aesthetic; Siegfried Kracauer and Walter Benjamin on the historical image as a utopian force in photography and film; and Gilles Deleuze and Michel Foucault on the emergence of the figural as both a semiotic regime and a new stratagem of power coincident with the appearance of "a digital" and of societies of control. Scholars of philosophy, film theory, cultural criticism, new media, and art history will be interested in the original and sophisticated insights found in this book.

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