Landscape is everywhere in film, but it has been largely overlooked in theory and criticism. This volume of new work will address fundamental questions: What kind of landscape is cinematic landscape? How is cinematic landscape different from landscape painting? How is landscape deployed in the work of such filmmakers as Greenaway, Rossellini, or Antonioni, to name just three? What are differences between the use of landscape in Western filmmaking and in the work of Middle Eastern and Asian filmmakers? How is cinematic landscape related to the idea of a national cinema and
questions of identity.
The first collection on the idea of landscape and film, this volume will present an impressive international cast of contributors, among them Jacques Aumont, Tom Conley, David B. Clarke, Marcus A. Doel, Peter Rist, and Antonio Costa.
具體描述
讀後感
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用戶評價
Don Mitchell's proposition that we need to consider“not just what landscape“is”or"means”but what is does，how it works as a cultural practices，has become central to a wealth of literature on landscape."
评分好書，提綱挈領。
评分對電影中風景分析不可忽視的一本書，應該被翻譯成中文的。
评分對電影中風景分析不可忽視的一本書，應該被翻譯成中文的。
评分好書，提綱挈領。
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