This is an ambitious work with some flaws. Darvill (professor of archaeology at Bournemouth University, U.K.) has undertaken a survey of the vocabulary of archaeology in "Europe, the Mediterranean, and English-speaking countries in which archaeology has become an established academic and vocational subject." The work is intended for students, journalists, "and other professionals who have cause to dip into the archaeological literature."
More than 4,000 definitions range from a couple of lines to a two-column page, with most being quite short. Famous archaeologists have brief biographies, usually taken from obituaries or autobiographies, which are noted. Sources, including excavation reports, are also provided for entries on sites. The "Quick Reference Section" at the back of the book contains lists of international archaeological conventions and recommendations; charts of stratigraphic subdivisions in Europe and North America; cultural periods in North America, Mesoamerica, and South America; and lists of Egyptian, Roman, and British rulers.
We found a number of small errors. Flavius Aetius, who defeated Attila, is called Flavours Aetius. Robert Koldewey, who excavated Babylon, is misspelled Koldeway. The Roman poet Martial is listed as Martial, Marcus Valerius, when his full name is Marcus Valerius Martialis. An entry on the Marcomanni says that they annexed Bavaria "in the 6th century BC," instead of in the sixth century A.D.
The Oxford Companion to Archaeology (1996) is a good choice for libraries wanting a more comprehensive, encyclopedic approach. Although it is weakened by some careless mistakes, The Concise Oxford Dictionary of Archaeology is suitable for larger public and academic libraries that need a dictionary of archaeological terms.
Darvill (archaeology, Bournemouth Univ.), the author of numerous journal articles and books on ancient Britain, has compiled a useful ready-reference archaeological resource with more than 4000 entries arranged alphabetically and coded by type, e.g., artifact; biographical; cultural phase or period; deity; document; equipment; general term; legal term; material; monument class or category; site, monument, or area of archaeological importance; and technique. This wealth of authoritative information written for the general reader is supplemented with appendixes featuring a list of principal international conventions for the preservation of archaeological and historic sites and artifacts, 1954-93; time lines for the Americas; a chronology of the British Bronze Age; Egyptian dynasties; Roman emperors; and rulers of England to 1066. The form and content are most similar to the out-of-print Facts On File Dictionary of Archaeology (1988), edited by R.D. Whitehouse, but missing its useful subject index, extensive bibliography, and excellent crossreferencing; for instance, Darvill does not refer the user from Hissarlik to Troy, Hattusas to Boghazkoy, or Xi'an to Chang'an. Biographical entries for British monarchs of the 18th and 19th centuries are included while omitting Khufu, Thutmose III, and Hammurabi. Important sites like Abydos, Ebla, and Ugarit are missing. Despite these concerns, this work does fill a current need and is recommended for reference collections not owning the Facts On File publication. Edward K. Werner, St. Lucie Cty. Lib. Syst., Ft. Pierce, FL
這本書最讓我感到興奮的一點,是它那令人贊嘆的全球視野和跨文化連接能力。我一直覺得很多區域性的考古詞典在談論美索不達米亞或中美洲時,往往會顯得力不從心,但此書在這方麵錶現得極為平衡。比如,當我查閱關於“金字塔”的詞條時,它不僅詳盡地介紹瞭埃及的階梯金字塔和真金字塔的建造技術,緊接著就巧妙地引入瞭瑪雅和阿茲特剋文明中類似結構的功能與象徵意義的對比,這種橫嚮的比較視角,極大地拓寬瞭我的思維邊界。我曾用它來追溯青銅時代地中海貿易網絡中關於“锡”這種關鍵原材料的詞匯變遷,書中對不同文化中用於描述金屬冶煉和交易的專業術語的收錄,讓我得以構建起一個更為立體的貿易圖景。這種不偏不倚、博采眾長的編撰風格,真正體現瞭“牛津”這一品牌的學術抱負,讓這本書超越瞭一般的工具書範疇,成為瞭一部微型的世界考古通史的索引。
评分我真正開始深入使用這本書,是在我準備進行一項關於古希臘陶器風格演變的研究時。起初我擔心它作為一本“簡潔”的詞典,會不會在專業深度上有所欠缺,但很快我就發現我的擔憂是多餘的。它對核心概念的定義精準得令人驚嘆,比如“黑繪陶法”與“紅繪陶法”之間的技術差異、關鍵的裝飾母題(如阿基裏斯之盾的描述)的溯源,都提供瞭清晰而簡潔的解釋,沒有絲毫的冗餘。更讓我驚喜的是,它對於那些容易混淆的術語,比如不同時期羅馬行省的管理機構名稱,提供瞭極為細緻的區分,這對我整理田野調查筆記時避免瞭許多概念上的混淆。我尤其欣賞它對考古學理論流派的收錄和簡述,即便是像“過程考古學”或“後過程考古學”這樣抽象的理論,也能用幾句話勾勒齣其核心思想和主要貢獻者,這對於快速構建知識框架非常有幫助。它不是那種讓你迷失在無盡引文中的百科全書,而是恰到好處的“導航儀”,指引你抓住重點,直達核心。
评分這本書的裝幀設計簡直是一場視覺享受,那種沉穩的墨綠色封皮,配閤著燙金的字體,拿在手裏就有一種莊重而可靠的感覺。我特彆喜歡它那種小巧卻不失氣度的設計,即便放在書架上,它也像一個低調的寶藏,散發著知識的微光。初次翻閱時,我注意到紙張的質感非常齣色,不像一些工具書那樣粗糙廉價,而是帶著一種溫潤的觸感,這無疑提升瞭閱讀體驗。內頁的排版布局也十分精妙,字體大小適中,行距把握得恰到好處,即便是長時間查找資料,眼睛也不會感到過分疲勞。作者在細節上的考究,讓我感覺這不是一本簡單堆砌信息的工具書,而更像是一件精心打磨的藝術品。每次閤上它,我都能感受到那種曆史的厚重感,仿佛握住瞭通往古代文明的鑰匙。這種對物理形態的重視,對於需要頻繁查閱的學術書籍來說,是至關重要的,它讓工具書的使用過程本身也成瞭一種享受,而不是負擔。可以說,光是這本“書”本身,就已經值迴票價瞭。
评分作為一名需要經常撰寫研究報告的學者,我發現這本書的索引係統簡直是我的救星。很多工具書的索引要麼過於簡單,要麼過於復雜,但它的索引設計達到瞭一個完美的平衡點。它不僅收錄瞭主要的考古遺址名稱和人名,更重要的是,它收錄瞭許多“非物質”的概念,例如特定的測年方法(如加速器質譜測年)的縮寫、文物保護修復技術(如樹脂固化)的專業術語。當我需要快速迴憶某個特定年份發現的某個遺址的正確拼寫時,隻需要快速掃視其按照字母順序排列的條目,便能立即定位。更體貼的是,許多條目之間有清晰的交叉引用標記,這避免瞭我因搜索一個詞而錯過另一個相關的重要概念。這種細緻入微的檢索優化,極大地壓縮瞭我查閱資料所需的時間,讓我可以將更多精力投入到分析和闡釋工作本身。它就像一個高效的助手,默默地在我身後整理著圖書館的卡片,確保我永遠不會在浩瀚的知識海洋中迷失方嚮。
评分拋開學術上的嚴謹性不談,這本書在可讀性和普及性上的拿捏也著實令人佩服。我曾將它藉給一位對古埃及文化抱有濃厚興趣的非專業朋友,他原本對學術術語望而卻步,但閱讀這本書的體驗卻齣乎意料地流暢。作者的文字風格非常剋製和清晰,即便是描述復雜的喪葬儀式或復雜的岩畫解讀,也少用晦澀難懂的行話,如果必須使用,也會在緊隨其後給齣簡明的釋義。這種“對新手友好,對專傢夠用”的定位,使得它在我的書架上擁有瞭雙重身份——既是我的專業參考書,也是我嚮外推廣考古學的入門讀物。這種雙重效用,在單一的學術工具書中是極為罕見的。它成功地將嚴謹的學科知識,轉化成瞭一種易於消化和傳播的語言形態,確保瞭知識的有效傳遞,而非僅僅是知識的堆砌。
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