The best of America's best writer on dance""
For twenty-five years, Arlene Croce was "The New Yorker's" dance critic, a post the magazine created expressly for her. Her entertaining, forthright, passionate reviews and essays revealed the logic and history of ballet, modern dance, and their postmodern variants to a generation of theatergoers. This volume contains her most significant and provocative pieces--over a fourth of which never appeared in book form--covering classical ballets, the rise of George Balanchine, the careers of Twyla Tharp, Mark Morris, and Merce Cunningham, and the controversies surrounding many of the twentieth century's great dance companies.
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