The Secret World

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出版者:Yale University Press
作者:Christopher Andrew
出品人:
页数:960
译者:
出版时间:2018-9-4
价格:GBP 31.48
装帧:Hardcover
isbn号码:9780300238440
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  • 世界史
  • 历史
  • 文化史
  • 想购入
  • 情报
  • 好书,值得一读
  • 原版
  • POLITICS
  • 奇幻
  • 冒险
  • 神秘
  • 超自然
  • 秘密社团
  • 阴谋
  • 都市奇幻
  • 黑暗奇幻
  • 调查
  • 解谜
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具体描述

The history of espionage is far older than any of today’s intelligence agencies, yet the long history of intelligence operations has been largely forgotten. The codebreakers at Bletchley Park, the most successful World War II intelligence agency, were completely unaware that their predecessors in earlier moments of national crisis had broken the codes of Napoleon during the Napoleonic wars and those of Spain before the Spanish Armada.

Those who do not understand past mistakes are likely to repeat them. Intelligence is a prime example. At the outbreak of World War I, the grasp of intelligence shown by U.S. President Woodrow Wilson and British Prime Minister Herbert Asquith was not in the same class as that of George Washington during the Revolutionary War and leading eighteenth-century British statesmen.

In this book, the first global history of espionage ever written, distinguished historian Christopher Andrew recovers much of the lost intelligence history of the past three millennia—and shows us its relevance.

《尘封的航海图》 在遥远的古老东方,一个名叫“扶桑”的国度,曾流传着一个关于失落文明的传说。传说在茫茫大海的深处,隐藏着一个被时间遗忘的国度,那里拥有着超越时代的智慧和令人惊叹的财富。然而,这个国度早已沉入海底,只留下零星的线索,散落在古籍、传说和一些神秘的遗物中。 故事的主人公是一位名叫“艾拉”的年轻女学者。她自幼便对历史和古老的文明充满好奇,尤其着迷于那些模糊不清的传说。一次偶然的机会,艾拉在整理家族遗留下来的古董时,发现了一幅泛黄的、绘制着奇特符号的航海图。这幅航海图的风格并非出自任何已知的文明,其上描绘的海洋和陆地轮廓,与现实世界中的地理版图有着惊人的相似之处,又带着一丝诡异的陌生感。 艾拉深信,这幅航海图便是开启失落文明之门的钥匙。她倾尽所有积蓄,购置了一艘小型探险船,并招募了一批同样热衷于探险的伙伴:一位经验丰富但沉默寡言的老船长,一位精通古语言的学者,以及一位身手敏捷、擅长潜水的潜水员。 他们的航程充满了未知与危险。茫茫大海的变幻莫测,突如其来的风暴,以及海中那些传说中的巨兽,都让他们数次濒临绝境。然而,艾拉凭借着对古老文字的解读,和伙伴们的智慧与勇气,一次又一次地化险为夷。 在航行过程中,他们逐渐发现,这幅航海图并非仅仅指向一个地理位置,更像是一份包含着某种古老智慧的指引。图中的符号,并非简单的坐标,而是某种宇宙的规律、能量的流动,甚至是一种失传的哲学。他们通过解读这些符号,不仅学会了如何预测风暴,更领悟到如何与海洋的韵律共鸣,甚至在某些时刻,感受到一种超越凡俗的力量。 旅途中,他们还遇到了形形色色的人物。一位神秘的隐士,他用晦涩的语言指点迷津,似乎早已知晓他们的来路和去向。一位贪婪的海盗团,他们觊觎航海图的秘密,一路追踪不舍。一位古老的海洋部落,他们对这幅航海图的来历有着自己的传说,并为艾拉一行人提供了一些关键性的帮助。 随着航程的深入,他们发现,失落文明的秘密,并非仅仅是物质上的财富,更是一种精神上的启迪。那种失落的智慧,关乎人与自然的和谐,关乎宇宙的奥秘,关乎生命存在的意义。他们开始明白,寻找失落文明,其实也是在寻找人类内心深处的某种回归。 最终,在航海图的指引下,他们抵达了一个被强大能量场笼罩的区域。这里,海面呈现出一种难以置信的宁静,而深海之下,则隐约闪烁着神秘的光芒。他们能否成功揭开失落文明的真面目?他们又将在这个过程中,获得怎样的改变?《尘封的航海图》将带领读者一同踏上这段充满传奇、智慧与勇气的海洋探险之旅。

作者简介

Andrew is Professor of Modern and Contemporary History, former Chair of the History Faculty at Cambridge University, Official Historian of the Security Service (MI5), Honorary Air Commodore of 7006 (VR) Intelligence Squadron in the Royal Auxiliary Air Force, Chairman of the Cambridge Intelligence Seminar, and former Visiting Professor at Harvard, Toronto and Canberra. Andrew is also co-editor of Intelligence and National Security, and a presenter of BBC Radio and TV documentaries, including the Radio Four series What If?. His twelve previous books include a number of studies on the use and abuse of secret intelligence in modern history. He is currently a governor of Norwich School where in the 1950s he was a pupil, and has recently retired from his post as President of Corpus Christi College, Cambridge.

Andrew studied under the historian and wartime cryptanalyst Sir Harry Hinsley, in common with fellow historian Peter Hennessy.Former students of Andrew - including Peter Jackson, Richard Aldrich, Tim Edwards, David Gioe, Larry Valero, and Wesley Wark - now staff the intelligence studies and intelligence history posts in universities around the English-speaking world, while many others - such as Thomas Maguire and Christian Schlaepfer - continue to work in intelligence related positions in both government and private industry.

Andrew produced two studies in collaboration with two defectors and former KGB officers, Oleg Gordievsky and Vasili Mitrokhin. The first of these works, KGB: The Inside Story was a scholarly work on the history of KGB actions against Western governments produced from archival and open sources, with the critical addition of information from the KGB defector Gordievsky. His two most detailed works about the KGB were produced in collaboration with KGB defector and archivist Vassili Mitrokhin, who over the course of several years recopied vast numbers of KGB archive documents as they were being moved for long storage. Exfiltrated by the Secret Intelligence Service in 1992, Mitrokhin and his documents were made available to Andrew after an initial and thorough review by the security services. Both volumes, 1999's The Sword and the Shield: The Mitrokhin Archive and the Secret History of the KGB and the 2005 edition The World Was Going Our Way: The KGB and the Battle for the Third World (both volumes simply titled The Mitrokhin Archive in UK publication) resulted in some public scandal as they revealed the names of former KGB agents and collaborators in government, industry and private life around the world.Most famous amongst these was the revelation in 1999 of the "Grandmother Spy", 87-year-old Melita Norwood, who had passed industrial information and other intelligence to the KGB for more than 50 years.

The Cambridge Intelligence Seminar

The Cambridge Intelligence Seminar, chaired by Andrew (and founded by his late mentor Harry Hinsley), convenes regularly at Corpus Christi College, Cambridge. Active and former senior members of various intelligence services around the world participate in the discussions, with most participants made up of Andrew's graduate students, fellow historians and other academics. At these meetings, detailed analysis of various past and present intelligence affairs is discussed under the Chatham House Rule, with the confidence that it will not be attributed to a person or organisation.Professor Andrew is on the Editorial Board of Journal of Intelligence and Terrorism Studies

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从文学技巧上来说,这部作品无疑是高度实验性的,特别是其对“空间”的解构手法,令人叹为观止。书中的场景似乎是在不断地自我吞噬和重塑。举个例子,主角穿越一个被称为“灰烬迷宫”的地方,这个迷宫的出口不是通过方向感或地图来定位,而是取决于你对“遗憾”的程度。每当主角的内心活动发生一次重大的情感转折,迷宫的布局就会随之改变。这种将心理状态与物理环境完全耦合的写法,在当代文学中并不多见。此外,作者对色彩的运用达到了近乎强迫症的程度,他似乎对“靛蓝”、“赭石”和“病态的黄绿”情有独钟,并在不同的章节里赋予它们截然不同的情感象征意义。这本书读起来更像是在经历一次精心设计的、充满潜意识暗示的梦游体验,视觉冲击力极强,但同时也要求读者保持高度的警觉,因为一个不经意的词语,可能就是通往下一重迷幻境地的钥匙。

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这本书的哲学深度令人咋舌,它探讨的核心似乎是“真实”的相对性,以及人类如何通过叙事来定义自身的存在。作者似乎对西方理性主义抱持着一种深沉的怀疑,转而颂扬那些被主流社会边缘化的、充满神秘主义色彩的信仰体系。我尤其欣赏其中对“声音”的描绘,书中有一个神秘的群体,他们相信宇宙的本源不是光,而是某种特定的振动频率,而人类的语言和音乐,都是对这种原初之声的扭曲模仿。有一段描写,主角试图“聆听”一座古老图书馆的墙壁,试图捕捉到被尘封的知识发出的“共鸣”,那段文字的密度和意境之高,让我不得不停下来,反复阅读,试图理解那种“无声中的喧哗”。这本书并不提供简单的答案,它更像是一面棱镜,将你固有的认知结构折射得五光十色。如果你期待一个明确的“英雄战胜邪恶”的结局,你可能会失望,因为它提供的是一种更接近于存在的禅意——接受混沌,并在混沌中寻找秩序的影子。

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这部作品的社会批判力度是其最尖锐的一面,尽管它披着一层厚厚的奇幻外衣。故事背景设定在一个科技高度发达,但精神世界却极度贫瘠的反乌托邦社会。这个社会通过一种名为“和谐频率”的技术,系统性地压制了个体所有可能引发冲突或焦虑的强烈情感,美其名曰“社会稳定”。主角偶然发现了一种“失调”的音乐,这种音乐能够短暂地撕开“和谐频率”的伪装,让人们重新体验到愤怒、悲伤、甚至狂喜。我特别关注了其中对“记忆存储”的描述,人们不再依赖生物大脑记忆,而是将所有数据上传到中央云端,但这却导致了人们失去了构建个人身份的能力。作者通过一个地下抵抗组织的故事线,探讨了“拥有痛苦记忆的权利”与“虚假而永恒的幸福”之间的伦理困境。读到最后,我久久不能平静,它迫使我反思我们这个时代对便捷和无痛体验的无限追求,究竟是以牺牲多少人性中本质的、复杂的美好为代价。这本书不仅仅是一个故事,它更像是一份对未来沉睡的我们,发出的振聋发聩的警报。

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我必须承认,这本书的叙事结构非常大胆,近乎于一种后现代的碎片化尝试。它不是那种让你一气呵成的流畅读物,更像是一堆精美打磨过的、带有强烈个人印记的日记片段、被截断的信件、以及一些看起来像是警方审讯记录的文本集合。这种不连贯性起初让人感到挫败,但我很快意识到,这正是作者想要营造的氛围——一种被强权或某种不可名状的灾难打碎的记忆。全书没有一个绝对可靠的叙述者,我们只能从这些零碎的线索中去拼凑出一个宏大的、关于权力更迭和集体遗忘的历史图景。其中有几章,作者完全摒弃了对话,仅用一组组高度风格化的物品清单来推进情节,比如“十二件必须在午夜前销毁的物件”、“一篮子被禁止的种子”。这种极简主义的表达方式,反而激发出读者内心最强烈的想象力,你不得不去追问:这些物件代表什么?这些种子为何如此危险?它考验了读者的耐心,但回报是丰厚的,因为它强迫你从一个被动的接受者,转变为一个主动的意义建构者。

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这部作品简直是一场味觉与想象力的狂欢,作者以一种近乎催眠的细腻笔触,描绘了一个充斥着古老香料和失落文明遗迹的异域国度。我仿佛能闻到空气中弥漫的丁香、肉桂混合着海盐的气息。故事的主线围绕着一位年轻的制图师展开,他受雇于一个神秘的东方商会,任务是绘制一片被认为是神话的“无光之海”的地图。然而,随着他的旅程深入,地图上的符号开始变得有生命,现实与他听到的民间传说之间的界限也日益模糊。尤其让我印象深刻的是他对当地市集场景的刻画,那里的喧嚣、欺诈、以及转瞬即逝的美丽,都被捕捉得淋漓尽致。我特别喜欢作者对“时间流逝”这一概念的处理,它不是线性的,而是像旋转的陀螺,在某些关键节点会突然加速或停滞,让人体验到一种抽离的迷失感。书中的每一个角色,即使是出场不过几页的船夫或酒馆老板,都带着一种沉甸甸的、未被完全揭示的过去,这使得阅读过程充满了探索的乐趣。我读完合上书本时,感觉自己像是刚刚从一场漫长而绚烂的梦中醒来,耳边似乎还残留着异域乐器的悠扬旋律。

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