Extraterritoriality pdf epub mobi txt 电子书 下载 2025
Victor Fan is Senior Lecturer at Film Studies, King’s College London and Film Consultant of the Chinese Visual Festival. His articles have appeared in journals including Camera Obscura, Journal of Chinese Cinemas, Screen and Film History: An International Journal. His first book, 'Cinema Approaching Reality: Locating Chinese Film Theory', was published in 2015 by the University of Minnesota Press. Besides his academic works, Fan is also a composer, theatre director and filmmaker.
- 香港电影
- 香港
- VictorFan
- 英文
- 历史
- theory
- filmstudies
- 电影理论
Actively rewrites and reconfigures how Hong Kong cinema and media are to be defined and located
Examining how Hong Kong filmmakers, spectators and critics wrestled with this perturbation between the Leftist Riots (1967) and the aftermath of the Umbrella Movement (2014), this book traces how Hong Kong’s extraterritoriality has been framed: in its position of being doubly occupied and doubly abandoned by contesting juridical, political, linguistic and cultural forces.
Extraterritoriality scrutinises creative works in mainstream cinema, independent films, television, video artworks and documentaries – especially those by marginalised artists – actively rewriting and reconfiguring how Hong Kong cinema and media are to be defined and located.
Key features
Proposes extraterritoriality as a key theoretical concept
Forms a dialogue with Postcolonial Studies and Sinophone Studies
Offers in-depth archival studies of the Hong Kong film industry, television and video arts, as well as major political crises in Hong Kong, including the 1967 Riots, the Sino-British negotiation of Hong Kong’s ‘future’, the Closer Economic Partnership Arrangement and the Umbrella Movement
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范可樂在cinema approaching reality裡寫費穆的小城之春，也很精彩
评分Victor是我很熟悉的老师。他认为香港的电影和媒体自始至终存在一种“域外性”，这种域外性居于中国甚至英国的边缘。（比如说粤语片制作在国民政府的电影政策被限制等等）。所在在本书的案例中，他找的都是一些很个人化的创作者，来说明香港电影在找寻自身身份的历史嬗变。
评分Victor是我很熟悉的老师。他认为香港的电影和媒体自始至终存在一种“域外性”，这种域外性居于中国甚至英国的边缘。（比如说粤语片制作在国民政府的电影政策被限制等等）。所在在本书的案例中，他找的都是一些很个人化的创作者，来说明香港电影在找寻自身身份的历史嬗变。
评分范可樂在cinema approaching reality裡寫費穆的小城之春，也很精彩
评分Victor是我很熟悉的老师。他认为香港的电影和媒体自始至终存在一种“域外性”，这种域外性居于中国甚至英国的边缘。（比如说粤语片制作在国民政府的电影政策被限制等等）。所在在本书的案例中，他找的都是一些很个人化的创作者，来说明香港电影在找寻自身身份的历史嬗变。
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