"Prepare to be disturbed and blown away. The stuff is remarkable, amazing."--"Los Angeles Times""Good-Bye" is the third in a series of collected short stories from Drawn and Quarterly by the legendary Japanese cartoonist Yoshihiro Tatsumi, whose previous work has been selected for several annual "top 10" lists, including those compiled by Amazon and Time.com. Drawn in 1971 and 1972, these stories expand the prolific artist's vocabulary for characters contextualized by themes of depravity and disorientation in twentieth-century Japan. Some of the tales focus on the devastation the country felt directly as a result of World War II: a prostitute loses all hope when American GIs go home to their wives; a man devotes twenty years of his life to preserving the memory of those killed at Hiroshima, only to discover a horrible misconception at the heart of his tribute. Yet, while American influence does play a role in the disturbing and bizarre stories contained within this volume, it is hardly the overriding theme. A philanthropic foot fetishist, a rash-ridden retiree, and a lonely public onanist are but a few of the characters etching out darkly nuanced lives in the midst of isolated despair and fleeting pleasure.
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在美国出版的日漫都因其胡乱ero
评分无法不喜欢。辰巳先生真的是短篇漫画巨匠。 Chris
评分the push man那本之后，辰巳嘉裕1971-72年的作品。每一个故事都值得挖掘，比上本情节曲折、微妙，叙述方式更多样。Hell, Woman in the Mirror.
评分the push man那本之后，辰巳嘉裕1971-72年的作品。每一个故事都值得挖掘，比上本情节曲折、微妙，叙述方式更多样。Hell, Woman in the Mirror.
评分战后社会写真 短短十几页的漫画小故事看过之后竟有这种感觉...太强了
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