第一章　拍攝者的視角 .......................................................................... 1
1.1　觀點 ...........................................................................................................2
1.2　不再追逐彩虹 ............................................................................................3
1.3　學會身兼數職 ............................................................................................4
1.4　掌握專業技能 ............................................................................................6
1.5　新觀念 .......................................................................................................8
1.6　現在人人都是拍攝者 ..................................................................................8
1.7　雇用你的客戶 ............................................................................................9
1.8　你已經擁有足夠的能力 ............................................................................10
第二章　讓我給你講個故事 .................................................................. 11
2.1　如何纔能把故事講好？ ............................................................................13
2.2　清楚自己影片的類型並確保觀眾們也知道 ...............................................13
2.3　你的海報什麼樣？ ...................................................................................15
2.4　瞭解自己的海報簡述文字 ........................................................................16
2.5　積極麵對條件限製 ...................................................................................17
2.6　電影成功的原因各異 ................................................................................18
2.7　你的相對優勢 ..........................................................................................18
2.8　限製你的取景 ..........................................................................................19
2.9　瞭解自己攝影機的動態範圍 .....................................................................20
2.10　在魔幻時刻拍攝 .....................................................................................21
2.11　真實性很重要 ........................................................................................21
2.12　故事永不停歇 ........................................................................................22
2.13　職業道德很重要 .....................................................................................23
第三章　用鏡頭講故事 ....................................................................... 25
3.1　現在對作品的要求仍然很高 .....................................................................25
3.2　給世界加個框 ..........................................................................................26
3.3　排除，排除，排除！ ................................................................................27
3.4　讓觀眾們受點兒苦 ...................................................................................28
3.5　獨特的視角 ..............................................................................................32
3.6　模糊、隱藏和遮擋 ...................................................................................33
3.7　關於透視 ..................................................................................................34
3.8　箱式梁橋 ..................................................................................................36
3.9　三分法 .....................................................................................................37
3.10　黃金畫幅比 ............................................................................................39
3.11　引起不適 ................................................................................................39
3.12　拍攝的地方是什麼類型？ ......................................................................40
3.13　擁抱經典理論 ........................................................................................41
3.14　手藝很重要 ............................................................................................43
3.15　用特寫講故事 ........................................................................................44
3.16　迂迴齣擊 ................................................................................................46
3.17　保持拍攝尺寸一緻性 ..............................................................................46
3.18　視綫的力量 ............................................................................................47
3.19　拍攝不完美的對象 .................................................................................48
3.20　故事裏的故事 ........................................................................................49
3.21　學會用背景講故事 .................................................................................50
3.22　我們都是說謊的騙子 ..............................................................................51
3.23　弄清楚自己想要什麼 ..............................................................................52
3.24　與極端自我的人一起工作 ......................................................................54
第四章　攝影師的工具箱 .................................................................... 57
4.1　你有很多選擇 ..........................................................................................57
4.2　攝像機的變革 ..........................................................................................58
4.3　掃描方式的選擇 .......................................................................................61
4.4　2K、4K，以及更高的分辨率 ....................................................................63
4.5　努力突破技術局限 ...................................................................................64
4.6　瞭解你需要的知識 ...................................................................................65
4.7　技術問題當然重要 ...................................................................................66
4.8　世界的本質 ..............................................................................................66
4.9　腦中的處理器 ..........................................................................................67
4.10　讓我們體驗一下模擬 ..............................................................................67
4.11　改善數字記錄的質量 ..............................................................................68
4.12　一些小知識 ............................................................................................69
4.13　10-bit 工作流程 ....................................................................................71
4.14　你的攝影機符閤“10 分鍾法則”嗎？ ...................................................75
4.15　瞭解傳感器 ............................................................................................77
4.16　在某種程度上，傳感器尺寸很重要 ........................................................78
4.17　分辨率的詭計 ........................................................................................79
4.18　人類感知分辨率的極限 ..........................................................................81
4.19　這種數字遊戲接近尾聲瞭嗎？ ...............................................................81
4.20　網格裏的像素 ........................................................................................82
4.21　三片式傳感器VS 單片式傳感器 .............................................................83
4.22　為什麼要壓縮？ .....................................................................................84
4.23　齣於實際考慮 ........................................................................................85
4.24　冗餘，冗餘 ............................................................................................86
4.25　你不會錯過那些你看不見的東西 ............................................................87
4.26　幀間壓縮與幀內壓縮 ..............................................................................88
4.27　選擇幀速率 ............................................................................................90
4.28　為什麼幀頻有些不靠譜—是24p 但又不是24p ..................................91
4.29　24p 的種種好處 .....................................................................................93
4.30　現在你能拍攝24p 瞭 .............................................................................93
4.31　如果你依然喜歡SD 標清 .......................................................................95
4.32　注意瞭，落伍者們！ ..............................................................................95
4.33　曾幾何時 ................................................................................................96
第五章　用數碼單反DSLR 講故事 ...................................................... 99
5.1　性能的問題 ..............................................................................................99
5.2　它並不是攝像機 .....................................................................................100
5.3　不隻是低光照能力 .................................................................................100
5.4　負荷削減 ................................................................................................101
5.5　參數設置 ................................................................................................103
5.6　果凍效應 ................................................................................................104
5.7　淺景深：是好事還是壞事？ ...................................................................105
5.8　操控方麵的挑戰 .....................................................................................106
5.9　監看與迴放 ............................................................................................107
5.10　聲音功能不健全 ...................................................................................108
5.11　開始工作 ..............................................................................................110
第六章　觀察世界的窗口 ................................................................... 113
6.1　控製畫麵空間 ........................................................................................114
6.2　是否需要討好拍攝對象 ..........................................................................115
6.3　把創作工具用到極緻 ..............................................................................115
6.4　推拉變焦拍攝 ........................................................................................117
6.5　警惕可疑的標稱值 .................................................................................118
6.6　光學變焦VS 數碼變焦 ...........................................................................120
6.7　更廣、更遠 ............................................................................................121
6.8　低檔鏡頭的現狀 .....................................................................................122
6.9　為何廉價的鏡頭看起來檔次低？ ............................................................124
6.10　對小光孔說不 ......................................................................................125
6.11　為什麼一體式攝像機通常能拍齣更好的畫麵 ........................................125
6.12　色像差補償 ..........................................................................................126
6.13　試著和你的普通鏡頭和平相處 .............................................................126
6.14　找到鏡頭的最佳性能區間 ....................................................................127
6.15　不靠譜的對焦環和變焦環 ....................................................................129
6.16　電影鏡頭 ..............................................................................................129
6.17　誘惑力和糾結的根源 ............................................................................130
6.18　過大的景深 ..........................................................................................130
6.19　鏡頭適配器 ..........................................................................................132
第七章　立體拍攝者 ......................................................................... 133
7.1　3D 立體的本質 .......................................................................................133
7.2　立體是一種技術障眼法 ..........................................................................135
7.3　深度綫索 ................................................................................................136
7.4　平麵視覺深度綫索 .................................................................................137
7.5　立體視覺深度綫索 .................................................................................139
7.6　軸距VS 瞳距 .........................................................................................141
7.7　匯聚麵應該設置在哪兒？ ......................................................................143
7.8　立體攝像機設置 .....................................................................................145
7.9　避免“耐藥性”問題 ..............................................................................146
7.10　屏幕尺寸至關重要 ...............................................................................148
7.11　正確獲得視差 ......................................................................................149
7.12　窗口乾涉 ..............................................................................................150
7.13　關於立體故事的思考 ............................................................................150
7.14　圓度因素 ..............................................................................................151
7.15　拋棄極端的2D 拍攝方式 .....................................................................152
7.16　裸眼立體是大勢所趨 ............................................................................154
7.17　立體就此止步瞭嗎？ ............................................................................155
7.18　立體的後期製作與輸齣 ........................................................................156
7.19　立體再次來襲！ ...................................................................................158
7.20　2D 轉3D .............................................................................................159
7.21　製片工藝的進化 ...................................................................................159
7.22　展現未曾見過的世界 ............................................................................160
第八章　掌握與控製 ......................................................................... 161
8.1　誰會需要全自動？ .................................................................................162
8.2　打倒自動曝光 ........................................................................................162
8.3　“中國姑娘” ........................................................................................165
8.4　駕馭波形圖 ............................................................................................166
8.5　考慮快門問題 ........................................................................................167
8.6　同步快門 ................................................................................................168
8.7　幀速率與故事的關係 ..............................................................................169
8.8　聚焦在重要的對象上 ..............................................................................170
8.9　這些人並不是演員 .................................................................................170
8.10　分辨率越高對焦越難！ ........................................................................171
8.11　跟焦 .....................................................................................................173
8.12　故事的白平衡 ......................................................................................174
8.13　到底用不用預置白平衡 ........................................................................174
8.14　設置手動白平衡 ...................................................................................176
8.15　不可理喻的自動白平衡 ........................................................................177
8.16　自動黑平衡 ..........................................................................................178
8.17　沒有增益，就沒有痛苦 ........................................................................179
8.18　控製好噪點 ..........................................................................................180
8.19　時碼的沼澤地 ......................................................................................181
8.20　串行數字接口與高清晰度多媒體接口 ..................................................183
8.21　互連性與視頻流 ...................................................................................184
8.22　監看你的工作 ......................................................................................185
8.23　更長時間的續航 ...................................................................................186
8.24　駕馭雜亂的取景器 ...............................................................................188
8.25　逐格攝影與延時攝影 ............................................................................189
8.26　神奇的預錄製功能 ...............................................................................190
8.27　循環錄製功能 ......................................................................................191
8.28　在極端環境下進行拍攝 ........................................................................191
8.29　拍攝狂熱的生命和野生動物 .................................................................193
第九章　調整拍攝的圖像 ................................................................... 195
9.1　開始創建自己的畫麵風格 ......................................................................196
9.2　主消隱電平: 定義黑色 ...........................................................................197
9.3　標清的遺産 ............................................................................................198
9.4　瞭解你攝像機的動態範圍 ......................................................................198
9.5　設置伽馬值 ............................................................................................199
9.6　留意高光部分 ........................................................................................200
9.7　自動拐點 ................................................................................................200
9.8　控製色度 ................................................................................................201
9.9　色彩矩陣 ................................................................................................202
9.10　使用濾鏡 ..............................................................................................203
9.11　物理濾鏡 ..............................................................................................203
9.12　最後再考慮使用濾鏡 ............................................................................204
9.13　為任務量身打造 ...................................................................................205
9.14　中密度濾鏡（ND） ..............................................................................205
9.15　偏光濾鏡 ..............................................................................................206
9.16　天空的控製 ..........................................................................................207
9.17　高對比度的睏惑 ...................................................................................208
9.18　柔光濾鏡 ..............................................................................................209
9.19　CHRISTIAN DIOR 來幫忙 ....................................................................212
9.20　遮光鬥 .................................................................................................212
9.21　如何疊加濾鏡 ......................................................................................214
9.22　暖色濾鏡 ..............................................................................................215
9.23　霧化濾鏡 ..............................................................................................215
9.24　後期製作 ..............................................................................................215
9.25　根據需要選擇後期插件 ........................................................................216
9.26　顔色校正 ..............................................................................................217
9.27　拍攝者要對自己負責！ ........................................................................219
第十章　照亮你的故事 ...................................................................... 221
10.1　由小見大 ..............................................................................................222
10.2　拍攝者必須能獨當一麵 ........................................................................224
10.3　LED 照明時代已經來臨 ........................................................................225
10.4　HMI 照明：昂貴但物有所值 ................................................................227
10.5　熒光燈和綠光瘟疫 ...............................................................................228
10.6　大範圍柔光 ..........................................................................................230
10.7　使用軟光是關鍵 ...................................................................................230
10.8　選擇軟光 ..............................................................................................231
10.9　控製溢光 ..............................................................................................232
10.10　柔光的藝術 ........................................................................................232
10.11　色紙 ...................................................................................................233
10.12　標準布光 ............................................................................................234
10.13　正麵和中間照明 .................................................................................235
10.14　用好輔助光 ........................................................................................235
10.15　機載照明燈 ........................................................................................236
10.16　分層照明 ............................................................................................237
10.17　給綠屏照明 ........................................................................................237
10.18　綠屏為什麼是綠色？ ..........................................................................238
10.19　綠屏的替代品 ....................................................................................240
10.20　照明控製 ............................................................................................240
10.21　鏤闆 ...................................................................................................241
10.22　束光筒 ...............................................................................................242
10.23　固定工具 ............................................................................................243
10.24　膠帶 ...................................................................................................243
10.25　百寶囊 ...............................................................................................244
10.26　照明= 手藝+ 創意 ............................................................................245
第十一章　支撐起你的故事 ............................................................... 249
11.1　雲颱 .....................................................................................................250
11.2　三腳架 .................................................................................................253
11.3　其他攝像機支撐係統 ............................................................................255
11.4　安裝在任何地方 ...................................................................................260
11.5　你拍故你在 ..........................................................................................260
第十二章　聆聽你的故事 ...................................................................263
12.1　沒有錄音師？ ......................................................................................264
12.2　錄音建議 ..............................................................................................264
12.3　差勁的連接= 差勁的聲音 ....................................................................265
12.4　平衡音頻 ..............................................................................................266
12.5　調音颱 .................................................................................................267
12.6　設置音頻電平 ......................................................................................268
12.7　麥剋風 .................................................................................................269
12.8　槍式麥剋風（指嚮式麥剋風） .............................................................269
12.9　無綫連接 ..............................................................................................270
12.10　話筒挑杆 ............................................................................................271
12.11　音頻降噪 ............................................................................................272
12.12　雙係統錄音：有必要嗎？ ..................................................................272
12.13　環繞聲 ...............................................................................................273
12.14　有時候“湊閤”也不錯 ......................................................................274
第十三章　順應潮流 .........................................................................277
13.1　不再隻有一種工作流程 ........................................................................278
13.2　MXF 的前景 .........................................................................................279
13.3　元數據之美 ..........................................................................................280
13.4　現在我們不必那麼擔憂瞭 ....................................................................281
13.5　SSD 的齣現 .........................................................................................282
13.6　代理視頻與iPhone ..............................................................................283
13.7　輸齣你的故事 ......................................................................................284
13.8　DVD 的衰落 .........................................................................................285
13.9　關注圖像編碼 ......................................................................................286
13.10　編碼器的性格 ....................................................................................287
13.11　被詛咒的問題場景 .............................................................................287
13.12　視頻降噪勢在必行 .............................................................................288
13.13　瞭解編碼模式 ....................................................................................289
13.14　BLU-RAY 藍光，還有誰？ ................................................................289
13.15　來到雲端 ............................................................................................290
13.16　歸檔的挑戰 ........................................................................................291
後記　世上並沒有“一鍵優化到最好”功能 .......................................... 293
1. 謹慎對待炒作 .............................................................................................294
2. 拒絕復雜 ....................................................................................................295
3. 觀影的未來 .................................................................................................296
4. 變革已經到來 .............................................................................................296
5. 這是個弱肉強食的世界 ...............................................................................297
· · · · · · (收起)